趙松庭作品詮釋分析 ─以《早晨》、《鷓鴣飛》、《三五七》、《二凡》及《幽蘭逢春》為例

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Title:	趙松庭作品詮釋分析 ─以《早晨》、《鷓鴣飛》、《三五七》、《二凡》及《幽蘭逢春》為例
Authors:	楊媛筎
Contributors:	音樂學系
Keywords:	趙松庭 Zhao Song-Ting 笛 Chinese bamboo flute 《早晨》 ”Zao Chen” 《鷓鴣飛》 “Zhe Gu Fei” 《三五七》 “San Wu Qi” 《二凡》 “Er Fan” 《幽蘭逢春》 “You Lan Feng Chun”
Date:	2011
Issue Date:	2012-10-30 10:03:47 (UTC+8)
Abstract:	本論文為研究趙松庭作品詮釋分析─以《早晨》、《鷓鴣飛》、《三五七》、《二凡》及《幽蘭逢春》為例。趙松庭兼具演奏家與學者的身分，在樂器的製作、教學及理論上皆有很高的造詣，並培育了許多著名的藝術人才。本文從作曲者趙松庭先生的生平與其音樂成就談起，內容整理了作者生平、音樂創作及相關著作、竹笛演奏技巧與樂器創新三個部分。其次，研究其五首曲目的創作背景、樂曲結構、詮釋分析等，並進一步探討趙松庭在樂曲中使用的演奏手法，如垛音、花舌、多指顫音的裝飾手法與循環換氣的使用。趙松庭的創作風格受到崑曲及浙江婺劇音樂的影響甚鉅，因此也蘊含了豐厚的傳統音樂精髓與人文氣息。演奏手法不僅融合南北派的各類技巧，其勇於創新與崇尚科學的學術精神，更為中國竹笛的發展開啟了新頁。 Abstract This thesis is an interpretation and analysis of Zhao Song-Ting’s pieces, taking ”Zao Chen”, “Zhe Gu Fei”,“San Wu Qi”,“Er Fan” and“You Lan Feng Chun”for instance. Being both a performer and scholar, Zhao presents a high attainment of instrument producing, teaching and theory researching; meanwhile, he educated a large amount of famous musicians. This research begins from the composer Zhao’s life and his musical development, including three following parts: Zhao’s life history; composition and music books; his technique of Chinese bamboo flute playing and new invention of instrument. Furthermore, the background of composing, the structure of the music, and the interpretation and analysis of the five pieces mentioned above are presented. Besides, Zhao’s technique of playing such as “Chaps Sound” “Flutter Tongue” “Multiple Fingers Trill ” and “Cyclical Breathing ” are also analyzed. Zhao’s style of composing is strongly effected by “kunqu ” and “Juzhe-Jiang Wu-Opeara ”, as a result, his pieces contain a rich spirit of traditional music. His technique of playing merges a variety of southern and northern style. His innovation and scientific academic spirit opened a new world for the development of Chinese bamboo flute.
Appears in Collections:	[Department of Music ] Thesis

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