| 摘要: | 揚琴是一項世界性的樂器，近年來樂曲創作呈現出新的發展趨勢，許多演奏家嘗試創作揚琴樂曲，並參考西方音樂文化風格、創作手法，使揚琴曲目呈現更豐富且多元的樣貌。隨著各種創新作品的產生，在揚琴曲式結構、旋律進行、演奏技法及使用不同演奏工具開發出新的音色等，皆有了新的突破。
上世紀末揚琴的發展先是針對樂器製作工藝及型制做改變，再有大量的新創作品產生。演奏者對於演奏快速變化和弦時，揚琴餘音所造成的殘響產生了快速止音的需要，便開始有了踏板止音揚琴的出現。本文以張朝第一揚琴協奏曲《盤古》為例，探究揚琴止音器由來以及在樂譜上如何應用。透過文獻分析、創作技法、曲式結構及樂曲詮釋等方法，闡述此作品的創作背景、創作理念、特色及手法並結合揚琴止音器的使用作樂曲分析與演奏詮釋。
The yangqin is a globally recognized musical instrument. In recent years, new trends in its musical composition have emerged. Many performers have created yangqin pieces that draw on Western musical styles and compositional techniques, enriching and diversifying the repertoire. Innovative works have led to breakthroughs in the musical structure, melodic progression, playing techniques, and development of new timbres through different performance tools.
At the end of the last century, the evolution of the yangqin initially focused on changes in the instrument's craftsmanship and design, followed by the creation of numerous new compositions. Performers needed quick muting to address the lingering resonance produced by the yangqin during rapid chord changes, leading to the development of yangqin with pedal dampers. This study uses Zhang Zhao's first yangqin concerto, "Pan Gu," as an example to explore the origins of the yangqin damper and its application in musical scores. Through literature analysis, compositional techniques, musical structure, and musical interpretation, this work elucidates the creative background, conceptual ideas, characteristics, and methods of the piece, combined with the use of the yangqin damper for musical analysis and performance interpretation. |
