| 摘要: | 劉天華作為影響近代國樂改革的先驅者，在樂器改良、音樂創作等皆有不凡的成就。其中二胡經典十大名曲的創作更是影響胡琴演奏與創作甚深，以至於兩岸三地各大專院校、國高中小音樂班、大大小小音樂比賽及檢定都被列入指定演奏之樂曲。
為此，筆者在十大名曲中挑選了三首風格各異的作品，分別是《病中吟》、《悲歌》、《閒居吟》，作為本文的研究對象。從樂曲創作的背景及曲意內容、樂曲結構做分析，並在左右手技巧上做演奏詮釋的闡述。此外，透過延伸探討的方式，以演奏時所需元素為出發點，探討樂曲與身體運用呼吸、平衡、肌肉放鬆，及樂曲演奏心理動作營造層面等，做出新的見解與實踐。
Tian-Hua Liu, as a pioneer influencing the reform of modern Chinese music, achieved remarkable accomplishments in instrument refinement and musical composition. His creation of the "Top Ten Classic Erhu Pieces" profoundly impacted both the performance and composition of the erhu, influencing designated repertoire across universities, secondary schools, music competitions, and assessments in mainland China, Taiwan, and Hong Kong.
In this regard, the author selected three stylistically diverse works from the top ten pieces: "Groan of Illness," "Elegy," and "Leisurely Recitation," as the subjects of this study. The analysis focuses on the background and thematic content of the compositions, their musical structures, and interpretations involving techniques for both hands. Additionally, through extended exploration, the study explores elements required during performance, such as breath control, relaxation, balance, and the psychological aspects of musical performance, offering new insights and practical applications. |
