尤金·伊薩伊（Eugène Ysaÿe, 1858-1931）被譽為自帕格尼尼（Niccolò Paganini, 1782-1840）以來最偉大的小提琴演奏家和作曲家之一。他創作的六首無伴奏小提琴奏鳴曲深受世人推崇，這些作品創作於1923年至1924年，靈感來自於伊薩伊一次音樂會上聆聽到小提琴家席格悌演奏巴赫的六首無伴奏小提琴奏鳴曲後深受感動而寫，是受到世人重視的經典之作。
本文第一章以伊薩伊的生平為開端，介紹了他的成就和對音樂界的影響。接著，對無伴奏小提琴曲進行了概括性介紹，包括其歷史和特點。第二章則詳細介紹了伊薩伊的無伴奏小提琴奏鳴曲第二號，從其創作背景、音樂結構到技巧展示等方面進行了深入的分析和討論。在論述中，筆者通過實際練習的狀況和心得，分享了對音樂詮釋和技巧展現的想法，旨在進一步探討伊薩伊作品的藝術價值和表現手法。
透過對伊薩伊第二號無伴奏小提琴奏鳴曲的深入研究，進一步了解其音樂風格和創作技巧，並探討其對小提琴音樂的重要貢獻。
Eugène Ysaÿe (1858-1931) is acclaimed as one of the greatest violinists and composers since Niccolò Paganini (1782-1840). His six sonatas for solo violin, composed between 1923 and 1924, are highly esteemed classics. These works were inspired by Ysaÿe's profound reaction to hearing violinist Joseph Szigeti perform Bach's six sonatas for solo violin.
The first chapter of this thesis begins with an overview of Ysaÿe's life, highlighting his achievements and influence on the music world. Following this, a general introduction to solo violin music is provided, including its history and characteristics. The second chapter delves into an in-depth analysis and discussion of Ysaÿe's Sonata No. 2 for solo violin,examining its compositional background, musical structure, and technical aspects. The author shares insights and interpretations based on personal practice and experiences, aiming to further explore the artistic value and expressive techniques of Ysaÿe's works.
Through a detailed study of Ysaÿe's Sonata No. 2 for solo violin, this thesis aims to gain a deeper understanding of his musical style and compositional techniques, and to explore his significant contributions to violin music.
