李斯特《死之舞》樂曲分析與演奏詮釋

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题名:	李斯特《死之舞》樂曲分析與演奏詮釋 An Analysis and Interpretation of Franz Liszt “Totentanz”
作者:	郭承俊
贡献者:	音樂學系
关键词:	李斯特《死之舞》〈末日經〉《死亡的勝利》 Franz Liszt "Totentanz" (Dance of Death) "Dies irae" "Triumph of Death"
日期:	2023
上传时间:	2024-03-14 11:17:08 (UTC+8)
摘要:	匈牙利作曲家法蘭茲．李斯特(Franz Liszt,1811~1886)兼具音樂評論家及鋼琴演奏家雙重身分，同時也是浪漫樂派主要代表人物之一，更是首位採用背譜演奏的音樂家。李斯特初期創作風格較偏向炫技以及豐富的和聲變化，晚年其作品逐漸轉變成簡單樸實的風格。本論文研究主題《死之舞》(Totentanz S.525,1859)是一首充滿深刻情感且具震撼力的樂曲，它以多種元素展現了對死亡的詮釋。樂曲的旋律主要由〈末日經〉(Dies irae)主題組成，此主題在全曲中反覆出現，並且在各變奏進行了巧妙的變化。樂曲藉著變化豐富的節奏，反映了不同的情感和情境，此外和聲也發揮了重要作用，通過不同的變奏和轉調，創造了多種和聲效果。本論文以李斯特《死之舞》為研究主題，內容共四個章節，第一章為緒論；第二章為《死之舞》創作背景；第三章為《死之舞》樂曲分析及演奏詮釋；第四章為結論。 Franz Liszt (1811~1886), the Hungarian composer, wore a dual hat as a music critic and a pianist. He was also one of the primary figures representing the Romantic music era and is recognized as the first musician to perform from memory. Liszt's early compositional style leaned towards virtuosity and rich harmonic variations, while in his later years, his works gradually transitioned into a simpler and unadorned style. The subject of this thesis is "Dance of Death" (Totentanz, S.525, 1838) by Liszt. This composition is a profoundly emotional and awe-inspiring piece that interprets death through various elements. The music's melody primarily consists of the "Dies Irae" theme, which recurrently appears throughout the entire piece and undergoes skillful variations in each variation. The composition utilizes a rich variety of rhythms, reflecting different emotions and scenarios. Additionally, harmony plays a crucial role in creating diverse harmonic effects through various variations and modulations. This thesis centers around Liszt's "Dance of Death" and is divided into four main chapters. The first chapter serves as an introduction. The second chapter delves into the background of the composition "Dance of Death." The third chapter involves an analysis of the music and its interpretive performance. Finally, the fourth chapter concludes the thesis.
显示于类别:	[音樂學系所] 博碩士論文

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