In recent years, in the stage performed by the Taiwan Chinese Orchestra, modern technology images are rarely used to assist the performance of the orchestra. When the Chinese Orchestra does not use the traditional clAassical background, and uses modern images to assist the music that belongs to the traditional oriental color, it will be There will be a collision of tradition and modernity.
However, there are still some transitions in the passages of the song and the flow of images and color conflicts that the composer wants to present. Based on this understanding, this thesis will discuss the research viewpoints that will be conducted in conjunction with the 2021 Lakes and Mountains Art Season of the Taiwan Academy of Traditional Chinese Opera, "The Rhythm of Drama", to analyze the theoretical basis of the research on visual images of Chinese music, including:
First, to create a visual sense of integration between the orchestra and the audience;
Second, the concept and technique of image and lighting collocation;
Third, use the theater-specific projection software for on-site execution;
Fourth, establish a multi-layered image overlay to express the rhythmic flow of different music.
