2021湖光山色藝術季《戲韻藝情》

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题名:	2021湖光山色藝術季《戲韻藝情》 2021 Huguangshanse Art Season "Rhyme and Artistic Love"
作者:	王弈元
贡献者:	科技藝術碩士學位學程
关键词:	視覺影像戲曲京劇打擊數位媒體音樂會 Visual Image Chinese Opera Digital Media Peking Opera Percussion Concert
日期:	2022
上传时间:	2023-03-16 13:48:11 (UTC+8)
摘要:	近幾年在臺灣所有國樂團演出的舞臺中，鮮少使用到現代科技影像來輔助樂團的演出，當國樂團不在使用傳統素雅背景時，將由現代影像來輔助屬於傳統東方色彩濃厚的音樂開始，即將會是有一種傳統音樂與現代影像美學的舞臺宇宙新碰撞。但唱詞中間還是存在一些對於曲子段落的轉折以及表演者心理所想呈現的影像流動和顏色衝突。在基於此認知，本論文將探討此次將要和臺灣戲曲學院2021湖光山色藝術季《戲韻藝情》彈撥專場來研究觀點，來分析國樂視覺影像的研究理論基礎，及包括: 一、創造影像與觀眾融入的視覺感。二、和演唱者搭配視覺的概念與手法。三、使用劇場專用投影軟體來做現場執行。四、建立多層次影像重疊來表現於不同音樂的節奏流動感。 In recent years, in the stage performed by the Taiwan Chinese Orchestra, modern technology images are rarely used to assist the performance of the orchestra. When the Chinese Orchestra does not use the traditional clAassical background, and uses modern images to assist the music that belongs to the traditional oriental color, it will be There will be a collision of tradition and modernity. However, there are still some transitions in the passages of the song and the flow of images and color conflicts that the composer wants to present. Based on this understanding, this thesis will discuss the research viewpoints that will be conducted in conjunction with the 2021 Lakes and Mountains Art Season of the Taiwan Academy of Traditional Chinese Opera, "The Rhythm of Drama", to analyze the theoretical basis of the research on visual images of Chinese music, including: First, to create a visual sense of integration between the orchestra and the audience; Second, the concept and technique of image and lighting collocation; Third, use the theater-specific projection software for on-site execution; Fourth, establish a multi-layered image overlay to express the rhythmic flow of different music.
显示于类别:	[科技藝術碩士學位學程] 學位論文

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