孟德爾頌《無言歌》作品十九之樂曲分析與詮釋

CCUR > College of Arts > Department of Music > Thesis > Item 987654321/53775

Please use this identifier to cite or link to this item: https://irlib.pccu.edu.tw/handle/987654321/53775

Title:	孟德爾頌《無言歌》作品十九之樂曲分析與詮釋 An Analysis and Interpreyayion of Felix Mendelssohn's Lieder ohne Worte,Op.19
Authors:	施美薇 Mei-Wei, Shih
Contributors:	音樂學系
Keywords:	孟德爾頌無言歌 Mendelsssohn Lieder ohne Worte
Date:	2024
Issue Date:	2024-12-09 13:33:44 (UTC+8)
Abstract:	孟德爾頌（Jakob Ludwig Felix Mendelssohn-Bartholdy, 1809-1847）為德國浪漫樂派最具代表性的作曲家之一，他的家境富裕，父親（Abraham Ernst Mendelssohn-Bartholdy, 1776-1835）為銀行家，母親是鋼琴家，一生並無太多的坎坷，生長在這樣的環境下使其創作的樂曲大多給人陽光、正向的氛圍。他一生創作的鋼琴作品非常多，包含三首奏鳴曲、八組《無言歌》(Lieder ohne Worte)、四十首獨奏曲等。其中八組《無言歌》更是他鋼琴作品中的代表作，不同於古典時期音樂大多為教會及貴族而做，浪漫時期越來越多的作曲家轉為平民或自己作曲，曲風多取自文學素材或情感的抒發。筆者在碩士期間演奏了《無言歌》作品19後便深深的被其風格吸引，且台灣碩博士論文中鮮少對該曲目演奏詮釋的相關研究，因此筆者想藉由該研究讓自己在演奏此類作品時，更能夠掌握作曲家想傳遞的要點。本論文一共分為四個章節，第一章節為緒論，包括研究動機及研究方法，第二章節為孟德爾頌《無言歌》的創作背景，第三章為作品十九的樂曲分析及演奏詮釋，第四章節結論將依據以上論點做出統整。 Mendelssohn(Jakob Ludwig Felix Mendelssohn-Bartholdy, 1809-1847) is one of the most representative composers of the German Romantic School. His family was wealthy, his father Abraham Ernst Mendelssohn-Bartholdy (1776-1835) was a banker, and his mother was a pianist. He did not have many ups and downs in his life. He grew up in a joyful and peaceful environment. Most of his works gave people a sunny and positive impression. He composed countless piano works during his lifetime, among which the eight groups of "Lieder ohne Worte" are the most representative. The author played Mendelssohn’s "Lieder ohne Worte" Op.19 during her master's degree and was deeply touched by its style. There is very little research done on the interpretation of these works in Taiwan, therefore the author hopes to give a better understanding of Mendelssohn’s Op.19 through this research. This thesis is divided into four chapters. The first chapter is the introduction, including the research motivation and research method, the second chapter is the background of Mendelssohn's "Lieder ohne Worte" op.19, the third chapter is the musical and interpretational analysis of Opus 19, the Chapter 4 will be the conclusion.
Appears in Collections:	[Department of Music ] Thesis

Files in This Item:

File	Description	Size	Format
index.html		0Kb	HTML	13	View/Open

View Licence

Loading...