文化大學機構典藏 CCUR:Item 987654321/53611
English  |  正體中文  |  简体中文  |  Items with full text/Total items : 46833/50693 (92%)
Visitors : 11866158      Online Users : 482
RC Version 6.0 © Powered By DSPACE, MIT. Enhanced by NTU Library IR team.
Scope Tips:
  • please add "double quotation mark" for query phrases to get precise results
  • please goto advance search for comprehansive author search
  • Adv. Search
    HomeLoginUploadHelpAboutAdminister Goto mobile version
    CCUR > College of Arts > Department of Music  > Thesis >  Item 987654321/53611


    Please use this identifier to cite or link to this item: https://irlib.pccu.edu.tw/handle/987654321/53611


    Title: 芭芭拉.約克《低音號協奏曲:戰爭與謠言》詮釋與分析
    An Analysis and Interpretation of Barbara York's Concerto For Tuba And Orchestra :“Wars and Rumors of War”
    Authors: 盧琨易
    LU, KUN-YI
    Contributors: 音樂學系
    Keywords: 芭芭拉·約克
    低音號
    協奏曲
    Barbara York
    Tuba
    Concerto
    Date: 2024
    Issue Date: 2024-11-11 14:19:12 (UTC+8)
    Abstract: 芭芭拉·約克〈Barbara York 1949-2020)出生於馬尼托巴省溫尼伯,逝世於堪薩斯州匹茲堡。為加拿大裔美國作曲家兼作詞家,於2004年受低音號演奏家邁克爾·費舍爾(Michael Fischer)和博伊西(樹城)州立大學交響樂團委託創作這首《低音號協奏曲戰爭與謠言》。
    全文共分為六個章。第一章「緒論」,闡述本文的研究動機與目的及研究範圍與方法。第二章「芭芭拉·約克」,研究作曲家生平、作品、風格。第三章「低音號的歷史與協奏曲」,介紹低音號的演變發展、協奏曲式與知名協奏曲。第四章「樂曲分析」,各樂章之曲式結構分析。第五章 「演奏詮釋」,介紹筆者如何詮釋此協奏曲。第六章「結論」,對本論文作探討總結。
    Barbara York, born in Winnipeg, Manitoba, 1949-2020, passed away in Pittsburg, Kansas. She was a Canadian-American composer and lyricist. In 2004, she was commissioned by tubist Michael Fischer and the Boise State University Symphony Orchestra to compose the Concerto for Tuba and Orchestra : "Wars and Rumors of War".
    The full text is divided into six chapters. The first chapter, Introduction, expounds the research motivation and purpose of this paper and the scope and method of the study. The second Chapter " Barbara York", a study of the composer's life, works, and style. The third Chapter , " The History of the Tuba and Concerto ", introduces the evolution and development of the Tuba, concerto form, and famous concertos. The fourth Chapter, "Music Analysis", the musical structure of each music analysis. The fifth Chapter, "Playing Interpretation", introduces the author's personal interpretation of this concerto. The sixth Chapter" "Conclusions" is discussed and summarized in this paper.
    Appears in Collections:[Department of Music ] Thesis

    Files in This Item:

    File Description SizeFormat
    index.html0KbHTML17View/Open


    All items in CCUR are protected by copyright, with all rights reserved.


    DSpace Software Copyright © 2002-2004  MIT &  Hewlett-Packard  /   Enhanced by   NTU Library IR team Copyright ©   - Feedback