臺灣與中國大陸犯罪劇的製播與敘事研究

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Title:	臺灣與中國大陸犯罪劇的製播與敘事研究 Research on Production and Narration of Crime Drama in Taiwan and Mainland China
Authors:	卓苓苓
Contributors:	資訊傳播學系
Keywords:	犯罪劇敘事分析《誰是被害者》《模仿犯》《隱秘的角落》《平原上的摩西》 Crime Dramas Narrative Analysis The Victims' Game Copycat Killer The Bad Kids Why Try to Change Me Now
Date:	2024
Issue Date:	2024-08-02 13:37:58 (UTC+8)
Abstract:	電視劇作為當代娛樂產業的重要組成部分，在表達文化、社會和人生觀念方面扮演著關鍵角色。隨著科技的進步，電視劇在日常生活中的影響力不斷擴大。犯罪題材因其文學性、持久性和靈活性，能夠適應不同的社會，反映出當代社會的現實問題，引發觀眾對這些問題的思考和關注。本研究將採用Chatman的敘事結構理論作為主要分析框架，並結合鏡頭語言和剪輯手法的分析。透過對故事和話語兩大層面的分析，重點探討情節設置、角色塑造和敘事手法三個面向。研究目的是瞭解在不同文化背景下，犯罪類型電視劇所反映的文化價值和社會意識。研究結果發現，儘管臺灣和中國大陸使用相同的語言，但在不同的政治和社會背景影響下，呈現出截然不同的文化氛圍和價值取向。這些差異體現在犯罪劇集的創作理念和內容呈現上，反映出兩地不同的社會發展軌跡和文化傳統。這種多樣性為觀眾提供豐富的視聽體驗，促進跨文化交流和理解，提升觀眾對不同文化背景的包容性。總結來說，目前對於臺灣與中國大陸犯罪類型電視劇差異性的探討相對缺乏。因此，本研究旨在揭示兩地在不同社會文化背景下，對同一題材所呈現的各自特色和差異性，期望這些發現能為未來的文化交流和影視製作提供有價值的啟示。 Television dramas, as a significant component of the contemporary entertainment industry, play a crucial role in expressing cultural, social, and life perspectives. With technological advancements, the influence of television dramas in daily life continues to expand. Crime dramas, due to their literary quality, durability, and flexibility, can adapt to various societies, reflecting contemporary societal issues and prompting viewers to consider and engage with these problems. This study utilizes Chatman's narrative structure theory as the primary analytical framework along with an analysis of camera language and editing techniques. By analyzing both the story and discourse dimensions, the focus is on examining plot construction, character development, and narrative techniques. The aim is to understand the cultural values and social consciousness reflected in crime dramas under different cultural backgrounds. The findings reveal that despite Taiwan and Mainland China sharing the same language, their different political and social contexts lead to distinctly different cultural atmospheres and value orientations. These differences are evident in the creative concepts and content presentation of crime dramas which reflect unique social development paths and cultural traditions of each region. This diversity provides audiences with rich viewing experiences promotes cross-cultural exchange understanding enhances viewers' acceptance of different cultural backgrounds. In summary, there is currently a relative lack of exploration into the differences between crime dramas in Taiwan and Mainland China. Therefore, this study aims to reveal the unique characteristics and differences presented in these dramas under different social and cultural backgrounds. It is hoped that these findings will provide valuable insights for future cultural exchanges and film and television production.
Appears in Collections:	[Department of Information Communications & Graduate Institute of Information Communications ] thesis

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