新創唐風彩妝－林楊容創作論述

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题名:	新創唐風彩妝－林楊容創作論述 Newly Created Tang Style Makeup - A Discussion of Lin Yang-Jung's Creation
作者:	林楊容
贡献者:	美術學系
关键词:	唐代仕女彩妝唐風彩妝 Tang Dynasty ladies makeup Tang-style makeup
日期:	2024
上传时间:	2024-07-16 14:27:26 (UTC+8)
摘要:	唐朝是中國歷史上一個經濟繁榮和開放的時代，女性造型華麗多姿，妝容特色反映了時代的風氣，建立起一種融合胡人與漢人文的東方古典美學風格。其極具浮誇且顛倒眾生的妝容，就時尚造型來說，無疑是啟蒙的義意，在歷史文化中扮演着的高端時尚的傳承。　　唐風妝容表現特色在於滿面縱橫花靨，濃重搶眼展現出色彩鮮豔與華麗。妝效整體表現特色在於粉底、額頭、鼻樑、面頰、下巴、使五官在色相、明度、彩度的巧妙搭配下輪廓有着立體明亮感。　　從文化發展的歷史來看，時尚與傳統，創新與復古總是不斷循環交替，流行的發展規律也是如此。彩妝的訴求由早期的增進美感、迎合時趨，演變至今日已經成為表現個人品味甚至是傳遞文化底蘊的途徑。基於此；對傳統優質文化的重新回顧、吸收、再延展，已經成為時尚界高度重視的藝術創意思維，這也是筆者著意於唐風彩妝創作的研究動機。　　筆者認為，現代彩妝在審美上強調底妝的自然，高遮瑕力及順滑延展度粉底，眼妝調出濃長的翹睫毛，眉毛描出自然生長的毛流、眼睛下畫出立體的臥蠶，整體突顯五官輪廓的立體感。將其融入在唐代風格的彩妝之中，必能展現自我獨特性風格，重新形塑當代彩妝的造型美學。　　本論文針對唐朝仕女璀燦獨特的標誌性妝容進行系統性分析，擷取其重要的美感元素融入現代彩妝之中。對於唐風的艷麗、新世代的自然，重新詮釋、設計，創作出現代彩妝美學的新風貌。 The Tang Dynasty was a period of economic prosperity and openness in Chinese history, with women adorned in magnificent and diverse styles. Their distinctive makeup reflected the spirit of the times, creating a fusion of Eastern classical aesthetics that blended elements of both the Hu and Han peoples. The extravagant and captivating makeup of the era undoubtedly carried a sense of enlightenment in fashion styling, playing a role in the transmission of high-end fashion heritage within historical and cultural contexts. 　　The distinctive feature of Tang style makeup is the lavish and bold application of floral patterns all over the face, characterized by vibrant colors and splendor. Overall, the makeup effect is characterized by the skillful coordination of foundation, forehead, bridge of nose, cheeks, and chin, enhancing the contours of facial features with a sense of three-dimensionality and brightness through subtle combinations of hue, brightness, and saturation. 　　From the perspective of cultural development history, fashion and tradition, innovation and retro always alternate cyclically, and the development trend of popularity is also the same. The appeal of makeup has evolved from early efforts to enhance beauty and conform to trends to today's role as a means of expressing personal taste and even conveying cultural heritage. Based on this understanding, the re-examination, absorption, and further expansion of traditional high-quality culture has become a highly valued artistic and creative thinking in the fashion industry. This is also the research motivation behind the author's deliberate focus on the creation of Tang style. 　　The author believes that modern makeup emphasizes the natural look, with foundations that offer high coverage, smooth texture and spreading. Eye makeup focuses on creating long and voluminous lashes, while eyebrows are drawn to mimic natural growth patterns. Contouring techniques are used to create three-dimensional depth under the eyes and enhance the overall contour of the face. Incorporating these elements into Tang Dynasty-style makeup can undoubtedly showcase a unique personal style and reshape the contemporary aesthetic of makeup. 　　This thesis systematically analyzes the distinctive and dazzling makeup styles of Tang Dynasty ladies and extracts important aesthetic elements to incorporate into modern makeup. By reinterpreting and redesigning the vibrant beauty of the Tang Dynasty with a touch of contemporary naturalness, it aims to create a new aesthetic for modern makeup.
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