本論文以羅伯特．舒曼 (Robert Schumann, 1810-1856)《五首民謠風小品，作品102》作為研究主題。舒曼於1849年在德勒斯登以民謠風格創作了這部作品，五首民謠風小品分別為〈幽默的〉、〈緩慢的〉、〈不快速，以豐厚的音演奏〉、〈不太急促的〉與〈強而明確的〉。筆者藉由探討樂曲之不同的主題特色、速度變化，分析這五首小品，並提供詮釋方向。
論文分為五章：第一章為緒論，說明研究動機與目的。第二章為樂曲之創作背景。第三章為《五首民謠風小品》作品詳細分析，以深入研究了解作曲家之創作手法。第四章為提供《五首民謠風小品》之演奏詮釋。第五章為本論文之結語，整合筆者對舒曼五首小品研究之成果及探討。
The topic of this research is Robert Schumann's Five Pieces in Folk Style, Op. 102. Schumann composed this work in Dresden in 1849. The five pieces are Mit Humor, Langsam, Nicht schnell, Mit viel Ton zu spielen, Nicht zu rasch, and Stark und markiert. In this study, the author analyzes these five pieces through exploring the different characteristics, tempi changes and provides interpretation suggestions.
The thesis is divided into five chapters: chapter one is the introduction, stating the motivation and purpose of the research. The second chapter is about the background of the work and the composer's life and musical style. The third chapter is the detailed analysis of the work. The fourth chapter discusses the performance interpretation of this work. The fifth chapter is the conclusion of this thesis, integrating the author's research results and discussions on Schumann's Five Pieces in Folk Style for Cello and Piano.
