「雲」為主題-談何秀美創作技法表現

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Title:	「雲」為主題-談何秀美創作技法表現 "Cloud" as the theme –Talking about the Performance of Hisu-Mei Ho's Creative Skills
Authors:	何秀美
Contributors:	美術學系
Keywords:	雲寫實主義印象派表現主義超現實主義 clouds Impressionism Expressionism Surrealism Realism
Date:	2023
Issue Date:	2024-03-14 11:06:31 (UTC+8)
Abstract:	本論文以「雲」為主題，筆者將自己的油畫創作理念、技法及媒材之運用，逐一剖析，進而探討十九世紀及二十世紀中寫實主義、印象派、表現主義及超現實主義的代表人物，分別以庫爾貝、莫內、孟克及馬格利特等作品為代表，並剖析以上各個藝術大師作品表現技法和美學觀點。本論文主要在於筆者透過觀察天候與大氣層所產生的水氣變化，而發現各種不同的雲彩變化，將觀察研究之心得，運用油畫媒材來進行創作，並探討、剖析筆者的創作技法與藝術特質。本論文共分為五個章節：第一章緒論：敘述研究動機暨目的、研究的範圍以及研究計畫：就西洋美術史中寫實主義、印象派、表現主義及超現實主義等之美術史及創作為研究範圍。第二章美術理論與文獻探討：相關「雲」的題材之蒐集，主動拍攝「雲」的影像及蒐集與「雲」相關的文字與圖檔，並對於西洋美術史寫實主義、印象派、表現主義及超現實主義等之美學進行探討。第三章創作技法與表現：將作品的創作理念加以詮釋，同時將作品主要之技法與表現內容分析與解釋。第四章作品解析：透過自我創作理念的實踐及媒材形式的運用，並探討自我繪畫創作歷程。第五章結論：透過研究去滿足筆者的創作動機，同時達到西方各主流畫派的技法演練，並闡出藝術創作之作品。因為本研究創作成果之啟發，使筆者面對各種藝術題材與創作技法的挑戰，皆有信心去達到未來各種創作課題。 This thesis explores the theme of "clouds" and analyzes the author's oil painting concepts, techniques, and materials. It further investigates representative figures of 19th and 20th-century art movements such as Realism, Impressionism, Expressionism, and Surrealism. The works of Courbet, Monet, Munch, and Magritte are examined to analyze the artistic techniques and aesthetic perspectives employed by these masters. The main focus of this thesis is the author's observation of the atmospheric changes and vapor variations produced by weather conditions, leading to the discovery of different cloud formations. The author applies their observations and research findings to their oil painting creations while exploring and analyzing their own artistic techniques and characteristics. The thesis is divided into five chapters. Chapter 1, Introduction, provides an overview of the research motivation, objectives, scope, and plan, focusing on the historical and creative aspects of Realism, Impressionism, Expressionism, and Surrealism in Western art history. Chapter 2, Art Theory and Literature Review, involves the collection of relevant materials related to "clouds," including photographs and textual and visual references. It also explores the aesthetics of Realism, Impressionism, Expressionism, and Surrealism in Western art history. Chapter 3, Techniques and Expressions, interprets the creative concepts of the artworks and analyzes and explains the primary techniques and expressive content employed in the artworks. Chapter 4, Artwork Analysis, discusses the author's creative process and the utilization of different media forms in their self-portrayal. Chapter 5, Conclusion, highlights the author's motivation for artistic creation, the mastery of various mainstream painting techniques, and the significance of their artistic output. The research outcomes of this study inspire the author to confidently confront artistic subjects and tackle future creative challenges.
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