托瑪斯．格林斯基《上帝粒子》、《鏡子》、《水泥叢林》詮釋與分析

CCUR > College of Arts > Department of Music > Thesis > Item 987654321/53124

Please use this identifier to cite or link to this item: https://irlib.pccu.edu.tw/handle/987654321/53124

Title:	托瑪斯．格林斯基《上帝粒子》、《鏡子》、《水泥叢林》詮釋與分析 An Analysis and Interpretation of Tomasz Golinski’s〝God Particles〞〝The Mirror〞and〝The Concrete Jungle〞
Authors:	邢家瑋
Contributors:	音樂學系
Keywords:	托瑪斯．格林斯基 Tomasz Golinski Solo Electronic music Duet 獨奏曲二重奏電子音樂
Date:	2023
Issue Date:	2024-03-07 11:30:08 (UTC+8)
Abstract:	本篇論文分為五個章節，分別為緒論、作曲家生平與創作作品、樂曲分析、樂曲詮釋及結論。第一章為緒論，講述研究動機與目的並說明研究範圍與方法。第二章為作曲家生平及作品，講述托馬斯．格林斯基之生平及創作作品，也在此章節敘述作曲家創作獨奏曲《鏡子》、二重奏《水泥叢林》及在樂曲中融入電子音樂的《上帝粒子》之想法與動機。第三章為作品分析，將其三部作品進行分析，以了解作曲家之創作手法。第四章為作品詮釋，將作曲家的手法加以探討，同時加入作曲家之想法及筆者自身對於樂曲的感受，進行完整詮釋。第五章為結論，整合筆者對於以上三部作品研究之成果及探討，並提供後人筆者於曲目練習時之想法做為參考。 This thesis has five chapters:introduction, composer’s life and creation works, analysis, interpretation and conclution. Chapter one is introduction, expoundsthe research motivation and purpose of this paper and the scope and method of the study. Chapter two is composer’s life and creation works, about Thomasz Golinski’s life and creations, also describe in this chapter the composer’s ideas and motives foe creating solo “Mirror”, duet “The Concrete Jungle” and “God Particles” which incorporate electronic music. Chapter three is analysis, analyze this three works to understand the composer’s creative techniques. Chapter four is interpretation, the techniques of the composer are explored, and the author’s own feelings about the music are added for a complete interpretation. Chapter five is conclution, integrate the author’s research result and discussions on the above three works, and provide future generations of the author’s idea when practicing the repertoire as a reference.
Appears in Collections:	[Department of Music ] Thesis

Files in This Item:

File	Description	Size	Format
index.html		0Kb	HTML	145	View/Open

View Licence

Loading...