漢賦神話之題材與流變

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题名:	漢賦神話之題材與流變 A Study on Mythological Themes and Evolution in Han Fu
作者:	詹昀庭
贡献者:	中國文學系
关键词:	漢賦神話題材流變遊仙詩賦 HanFu Mythological themes Evolution
日期:	2023
上传时间:	2024-02-29 12:19:01 (UTC+8)
摘要:	辭賦與神話的連結自〈離騷〉起始，而漢賦從拓展《楚辭》中，將神話題材的運用推向高峰，這樣的發展源自漢朝整體社會，從文學、文化與帝王政治等方面不斷加固，因此本文以神話題材切入漢賦研究，彙整《全漢賦》中具神話題材者，劃分為三類：神仙人物、傳說人物與神怪靈域，再細化製作成表格，從中挖掘神話題材自漢賦呈現中的演變，並發掘漢賦神話題材的承先啟後，故呈現如下：首章〈緒論〉即以研究動機與目的、範圍與方法以及文獻回顧，闡明兩漢辭賦神話題材的研究情形，與研究之必要性；第二章〈漢賦神話運用之發展背景〉則從文學、文化與帝王三項切入，論述神話題材充斥於漢賦的多元成因；第三章〈兩漢辭賦中的神仙人物〉則從神仙人物一類論述，細化分析每一題材，以先秦典籍的紀錄呈現，對比漢賦運用，挖掘其形象的承繼或變形；第四章〈兩漢辭賦中的傳說人物〉從傳說人物的神話化觀察，同樣從其紀錄上對比漢賦，觀其神話化之根源與漢賦運用特點；第五章〈兩漢辭賦中的神怪靈域〉則從神話生物的圖騰意象與嘉瑞災異象徵、神話中的神山靈域分類論述；第六章〈兩漢辭賦神話題材的承先啟後〉則論述漢賦神話題材對先秦的承襲與拓展，並探討對魏晉以後的文學影響，如遊仙詩賦、志怪小說與戲曲母題等，最後〈結論〉對於本研究中所見的漢賦神話題材價值，可見其對豐富文學藝術的內涵、對史料的印證作用以及媒體網路的轉化運用。 The connection between Ci Fu and mythology originates from Li Sao, and under the expansion of "Chu ci" 《楚辭》, Han Fu pushed the use of mythological themes to a zenith. This evolution began within societal structures and was propagated by literature, culture, and political dynasties. Therefore, this study cuts into the research of Han Fu under the context of mythological themes. Moreover, the mythological themes in "Quan Han Fu" are categorized into 3 genres: the Immortals-mortals (Shen Xian Ren Wu 神仙人物), the Legendary Mortal Deities (Chuan Shuo Ren Wu 傳說人物) and the Gods-demons-spirit-sacred space (神怪靈域 Shen Guai Ling Yu), then filtered, categorized, and tabulated the evolution of mythological themes from Han Fu's expression. This led to the discovery of an inheritance of contemporary concepts from the past themes of Han Phu. Its architecture follows: The first chapter "Introduction" clarifies the research aim and the necessity of said research on the theme of mythology in the two Han Dynasties. This was to be accomplished by means of the articulation of a statement of research motivation and purpose, an outline of the scope and methodology, and a literature review. The second chapter, "The History of the Application of Myths in Han Fu", discusses the multiple causes of mythological themes in Han Fu from the perspective of literature, culture, and the dissection of emperor's politics. The Third Chapter "The Immortal and Mortal Personas in the Ci Fu of the two Han Dynasties" discusses the immortal and mortal personas, analyzes each theme in detail, presents them with the records of the pre-Qin classics, compares the use of Han Fu, and elucidates the inheritance or transformation of their images. The fourth chapter "The Legendary Mortal Deities in the Ci Fu of the Two Han Dynasties" observes the mythization of legendary figures, and compares Han Fu with its records, and observes the mythization root and the characteristics of Han Fu’s application. The fifth chapter, "Gods-demons-spirit-sacred space (神怪靈域 Shen Guai Ling Yu) in the Two Han Dynasties", discusses the totem imagery of mythological entities, the concepts of good and evil, and the spiritual realm of Shen Shan in mythology. The sixth chapter, "The Inheritance and Evolution of the Mythical Themes in Ci and Fu in the two Han dynasties", articulates the inheritance and expansion of the mythical themes of Han Fu to the pre-Qin period, and outlines the influence on literature after the Wei and Jin Dynasties through poems, “saunters in sylphdom" (Youxian shi 遊仙詩), Tales of Miraculous, and Xi Qu motifs (戲曲母題). Finally, the Chapter Conclusion, regarding the value of the theme of Han Fu mythology discussed in this study, it clearly demonstrates an underlying meaning towards the enrichment of literature and art. Furthermore, it confirms historical documentaries and media depictions.
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