本論文共分為五個章節，第一章為緒論，共分為兩節，第一節為研究目的與動機，第二節為研究範圍與方法，說明筆者選擇此曲為研究題目之動機及此曲目研究之方法。第二章為布拉姆斯創作背景，第一節為布拉姆斯作品風格，第二節為布拉姆斯《d小調第三號小提琴奏鳴曲》之創作背景，此章節概述布拉姆斯不同階段之作品風格及創作此曲時之部分經歷。第三章為布拉姆斯《d小調第三號小提琴奏鳴曲》之樂曲分析，共分為四個樂章四個章節，將針對此曲作分析。第四章為布拉姆斯《d小調第三號小提琴奏鳴曲》之演奏詮釋探討，分為四個樂章四個章節，以作品風格與樂曲分析延伸探討，對本曲的演奏詮釋作建議，給此曲演奏者做參考，在演繹此曲上能更貼近布拉姆斯此曲創作之風格。第五章為結語，對深入研究此曲的收穫以及體悟作總結。
This thesis contains five chapters. The first chapter is the introduction, and is divided into two sections. The first section is the research purpose and motivation, and the second is the research scope and methods. The second chapter is the background of Brahms' creation. The first section discusses the style of Brahms's work, and the second section outlines the background of Brahms' "Violin Sonata No. 3 in D minor”. This chapter summarizes Brahms's work style at different stages and part of his experience when composing this song. Chapter 3 is the music analysis of Brahms' "Violin Sonata No. 3 in D Minor", which consists of four movements in four sections. Each section will be dedicated to one movement separately. Chapter 4 discusses the performance interpretation of Brahms’ "Violin Sonata No. 3 in D minor". It is divided into four movements in four sections as well. It uses the style of the work and the analysis of the music as the guidance to further extend the discussion. There will be suggestions on the interpretation of the performance of this song. The performer can use the suggestion as a reference in order to come closer to Brahms's composing style when interpreting this song. Chapter 5 is the conclusion, summarizing the benefits and understanding of the in-depth study of this song.
