| 摘要: | 隨著時間流淌，唐草紋樣以不同的形態融入世界各大文明中並陪伴人們生活。筆者受到約翰•羅斯金(John Ruskin，1819－1900)和威廉•莫里斯(William Morris，1834-1896)之創作理念的啟發，憑自身對唐草紋樣的熱愛的，運用大漆媒材創作以植物、花卉和動物為主題，並且將作品分成「感受」、「莊飾」兩大系列，前者藉由開合自如的線條傳遞筆者創作當下的感受與心境，欲使觀賞者心生巨大的衝擊與共鳴；後者則為筆者創新又具傳統色彩的特色紋飾。
As a long-lived painting medium, lacquer has not only extended its use to the field of art; it also penetrates into the daily necessities of people, from exquisite tribute to the royal family from the Gentiles to the vulgar utensils used by ordinary people, which can be seen at a glance. To the large lacquer material on the artistic finished product, the large and small patterns are imprinted. As the main medium for artistic creation, lacquer can be compatible with various cultural and creative products (such as wood, metal, ceramics, glass, shells, etc.) to produce amazing finished effects. As for the warm and moist texture presented in the art of Daqi painting, it is indeed completely different from the presentation styles of other paintings. The author's graduation creation this time, in addition to using lacquer as a painting medium, is also presented in the form of abstract painting. Regarding the author’s creative thinking, he not only possesses Paul Klee’s painting theory, but also based on Klee’s abstract artistic expressions and his exquisite and special painting techniques. Of course, I have not forgotten to add the author’s research on the creative medium and technique of lacquer. With the experience, I was able to successfully create two lacquer painting creations of "Tour Paint" and "Cat", the ultimate goal of lacquer painting creation. |
