本論文以完形心理學（Gestalt Psychology）中「完形」的概念為出發點，探討藝術作品或音樂創作的整體性，且試圖將完形的知覺組織律（Laws of Perceptual Organization）運用在音樂創作上，並討論完形對於筆者自身作品〈丹山祭〉中的影響與啟發。
第一章先回顧筆者本篇論文的研究動機與目的，並透過探討有關於完形心理學運用在藝術領域的相關文獻，以便於更清晰地了解完形心理學對於藝術的影響。第二章則是介紹完形心理學與知覺組織律，並嘗試將其運用在聽覺中，為下個章節做準備。最後一章為討論筆者自身作品〈丹山祭〉的整體性，從樂曲的創作背景與基本結構到完形知覺組織律的運用，探討音樂創作與分析的另一種方法。
This thesis uses the concept of "Gestalt" in Gestalt Psychology as a starting point to explore the integrity of artistic or musical works. Author also tries to apply Gestalt Laws of Perceptual Organization to composition, and discusses the influence and inspiration of Gestalt Psychology on author's work Dan Shan Festival.
The first chapter is to review the research motivation and purpose of this paper. By exploring the relevant literature which is about the application of Gestalt psychology in the field of art, we can understand the influence of Gestalt psychology on art more clearly. The second chapter is to introduce Gestalt psychology and laws of perceptual organization, and try to apply them to auditory perception, to prepare for the next chapter. The last chapter discusses the integrity of the author's work Dan Shan Festival. From the composition background and structure of the music to the application of Gestalt laws of perceptual organization. The purpose is to explore different methods of composition and music analysis.
