本文以蘇軾詠月作品，探討其所詠之「月」寄託之內涵與情懷，觀察作品中「月」與「蘇軾」的物我關係。歷來探究蘇軾詠月作品者，多以其表現月意象為主要探討內容，較無就詠物之角度切入，是以筆者欲嘗試界定詠物定義，進而篩選蘇軾藉月起興之文本，重新整理出蘇軾詠月之作。一則就題目主題實為月者，二則觀察通篇作品內容以書寫「月亮」為主題者。本文首先對詠物作品之定義進行闡釋，據此重新界定蘇軾詠月之作；接著，將其文本歸納出「摹形畫物」、「應物而感」及「物我合一」三大層次，藉此析分其中之物我關係。由此，期能更加具體、清晰地界定出蘇軾以歌詠月亮為主題之作品，詳考蘇軾詠月之作中託月所言之情志，及其本身與所詠之月的關係層次。
This article uses Su Shi's Odes to the Moon to explore the connotation and feelings of the ＂Moon＂ that it sustains, observing the relationship between substance and self as between the ＂Moon＂ and ＂Su Shi＂ in that work. As always, when people explore Su Shi's work, Odes to the Moon, most of them focus on the performance of the moon imagery rather than the cut-in angles of Odes to Things. The author, however, wants to first try a definition of the Odes to Things, then filter the text that Su Shi has been working on and related to the moon, to finally reorganize the works of Su Shi's Odes to the Moon. The author notes that one, the subject of Su Shi's work is the Moon, and two, the entire work revolves around the Moon. This paper first explains the definition of Odes to Things, and then redefines the work of Su Shi's Odes to the Moon. Afterwards, it summarizes it into ＂imitative form description＂, ＂once their emotions are aroused by externalities, people will think of ways to express their inner feelings＂ and ＂identity of object and self＂, these three-tiered levels and analyzing the relationship between substance and self. Thus, the period will be more specific and clear in defining the work of Su Shi with the theme of singing the moon and will give a detailed review of the feelings expressed in the emotional mood of the moon and the level of relationship between the Odes of the Moon and itself.
