【衍聲】-創作論述

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Title:	【衍聲】-創作論述 The Creation Discussion - "Sound of Derivative"
Authors:	洪暘丞
Contributors:	科技藝術碩士學位學程
Keywords:	繁衍衍生視聽藝術生成藝術新媒體藝術 Multiply Derivative Audiovisual art Generative art New media art
Date:	2021
Issue Date:	2023-02-13 13:35:29 (UTC+8)
Abstract:	物種有著不同的形式繁衍型態，也是讓物種衍生下去的方式。在沒有外力因素影響之下，自然的生態系應該是相對飽滿且有循環性的，但當物種進入到另一個環境或是有別的物種侵入，會影響到這樣平衡的生態系。其中「人為因素」對於許多物種來說，是最大的外力因素，這樣的衝擊也許是好的也許是壞的，而人們也開始意識到對於生態造成迫害後有了自覺，也開始不斷地幫助物種們建立屬於他們的生態系。本作品的設計概念從「衍生」出發。歷經了三次的演進，從第一次的作品呈現是視覺為主的作品，採用浮空投影裝置展現出生物由少至多的變化，因想與觀眾有所互動，而加入的聲音輸入，從與畫面的整體性不一致性，到最後的觀眾與作品的互動是有所關聯的，進而將作品轉化成為「衍聲」。透過視聽藝術與衍生藝術的方式呈現。在影像中，以立方體與球體來比喻物種在繁衍過程中的變化，而左右畫面中的來回飄蕩，像是物種因需要繁衍而遷徙時的途徑。也因為在繁衍的過程，畫面除了會隨著時間慢慢的增加，也會因為一些外力，增加或減少。而本作品以“現場的收音”作為這個外力輸入。當畫面中球體與立方體數量到達過多時，就會從頭再來過一次。也是想表達物種隨著時間越來越多時，在自然中，相生相剋的原因在最後會達成一種平衡。 Species have different forms of reproduction, which are also ways to allow species to derive. Without the influence of external forces, the natural ecosystem should be relatively full and circle, but when a species enters another environment or another species invades, it will affect such a balanced ecosystem. Among them, the "human factor" is the biggest external force factor for many species. Such an impact may be good or bad, and people have begun to realize that they are conscious of the persecution caused by the ecology, and they have begun to continue to help the species. We build an ecosystem that belongs to them. The design concept of this work starts from "Derivative". It has undergone three evolutions. For the first time, the work is a visual-oriented work. The floating projection device is used to show the changes of creatures from less to more. The sound input is added because of the desire to interact with the audience. The overall inconsistency of the work is related to the interaction between the audience and the work at the end. And then transform the work into" Sound of Derivative ". Presents through Audiovisual art and Generative art. in the video, boxes, and spheres are used in metaphor the changes of species in the process of reproduction, and the left and right pictures float back and forth, like the way when species migrate due to the need for reproduction. Also, because in the process of reproduction, not only will the picture gradually increase over time, it will also increase or decrease due to some external forces. And this work uses "on-site radio" as the external input. When the number of spheres and cubes in the picture reaches too many, it will start again from the beginning. I also want to express that as a species becomes more and more over time, in nature, the reasons for mutual growth and restraint will reach a balance in the end.
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