| 摘要: | 嘻哈文化誕生於1970年代美國紐約的南布朗士區（South Bronx）裡，是個包含了DJ（Disc Jockey）、街舞、塗鴉藝術以及MC（Microphone Controller）的街頭文化，近年來，街舞擴散至全球各地，成為大眾傳播與媒體高速發展下的當代流行藝術。80年代末期，街舞文化開始傳入台灣，也逐漸吸引到台灣青少年的目光，甚至對社會群體有所影響。本文透過回顧國內外街舞相關的文獻資料，整理出街舞主要舞蹈風格的形成與風格特色，並加以討論與解釋，將街舞舞蹈風格依照發展年代，說明九項街舞主要舞蹈風格，依照舞風誕生順序為Locking、Popping、Breaking、Waacking、Voguing、House、Dancehall、Jazz、Kurmp。本文將街舞風格及發展過程彙整歸納，讓大眾更系統性的了解街舞歷史背景與風格項目發展，也希望透過彙整及延伸探討，促使街舞工作者能更有效的將台灣街舞往學術層推動，並展望其未來發展趨勢，如何從街舞文化之現況帶動教育、社會文化、經濟、甚至更多的繁榮前景，並藉由國際發展之經驗，為日後台灣街舞文化未來發展之參考。
Hip-hop culture was born in the South Bronx of New York in the 1970s. It is a street culture that includes DJ (Disc Jockey), street dance, graffiti art and MC (Microphone Controller). In recent years, hip-hop has expanded to all over the world and has become a contemporary pop art under the highly developed media. In the late 1980s, street dance culture began to be introduced to Taiwan, and gradually attracted the attention of Taiwanese teenagers, and even had an impact on social groups. This article explores and summarizes the formation and style characteristics of the main dance styles of street dance. Through reviewing domestic and foreign literatures related to street dance , we sorted out the formation and characteristics of street dance styles, and with discussion and explanation. We listed the nine main dance styles of street dance according to the emergence order, they are Locking, Popping, Breaking, Waacking, Voguing, House, Dance hall, Jazz, Krump. It is hoped that through this article, the styles and development process of street dance could be summarized, so that the public can understand the historical background of street dance and the development of its styles in a more systematic manner. It is also hoped that through the integration and extended discussion, street dance workers in Taiwan could promote Taiwanese street dance to the academic level more effectively, in terms to discuss on how to drive education, social culture, economy, and even more prosperity prospects from the current state of street dance culture. May we could learn from the experience of international development as a reference for the future development of Taiwanese street dance culture. |
