| 摘要: | 在此論文中，筆者將探討二十世紀初的「藍騎士」（Der Blaue Reiter）藝術團體中的畫家弗蘭茲•馬爾克（F･Marc，1880-1916）就德國表現主義（Expre ssionism）畫派而言，畫派最成熟的階段就是以「藍騎士」團體為代表，而『藍騎士』是由康丁斯基（Kandinsky，1886-1944）、馬爾克、皮特•蒙德里安（Piet Cornelies Mondrian，1872-1944）、奧古斯特•馬克（August Macke 1887-1914）和克利（Klee，1879-1940）等藝術家，在1911年共同成立的，並編輯《藍騎士年鑑》（Alma nach der Blaue Reiter），藉以發表各個藝術家的作品和理念。至於而馬爾克的作品，則以立體主義（Cubism）及未來主義（Futurism）律動性的構圖分割來表現之，強調精神性、宗教性的感受與追求色彩鮮明的獨特性畫風。本論文主要在於探討、剖析馬爾克的藝術特色，筆者將研究的心得，用油畫和漆畫兩種不同的媒材來進行創作，並分析兩畫作媒材運用之間的差異性。
本論文共分為如下六個章節：
第一章 緒論：敘述研究動機與目的，以及研究的內容和方法：包含理論分析法、歷史研究法、比較研究法、歸納研究法及實驗研究法。
第二章 馬爾克的藝術生涯：探討馬爾克在青年學畫初期接觸東方藝術後的畫風轉變；加入慕尼黑新藝術家協會（New Artists'Association on of Munish）及創立「藍騎士」藝術團體。
第三章 馬爾克的創作思惟及畫作：深度研究馬爾克的風格和作品特色，剖析馬爾克的動物畫和版畫，及比較馬爾克和畢卡索（Picasso，1881-1973）、薄邱尼（Boccion，1882-1916）三位大師的創作理念和創作形式技法的相似性與差異性之處。
第四章 自我繪畫理念及媒材型式的探討：自我繪畫學習過程，以油畫和漆畫兩媒材進行實驗創作，並探究兩者之間的差異性。
第五章 自我作品分析：將研究成果和自己的創作理念做一結合，且逐一介紹、解說自我作品。
第六章 結論：發表研究創作成果及展現此階段的自我繪畫風格。
The author intends to explore the artistic achievements of Franz Marc (1880-1916), a prominent painter of Der Blaue Reiter (the Blue Rider) in the early 20th century. German Expressionism reached its peak when Der Blaue Reiter was formed by a number of artists, including Kandinsky (1886-1944), Franz Marc, Piet Cornelies Mondrian (1872-1944), August Macke (1887-1914), and Klee (1879-1940) in 1911. These artists then compiled the Alma nach der Blaue Reiter in the hope of promoting their art and the concepts and philosophy that lie beneath their art creations. Marc was best known for his rhythmic space segmentation based on Cubism and Futurism, as he placed emphases on spiritual and religious sentiments and a pursuit of vividness in colors and style. This study mainly explores the characteristics of Marc’s artworks, as the author attempted to present what he has learned from this great artist by using oil and lacquer paints in his own paintings, so as to analyze the differences between the two aforementioned artistic materials when applied in artworks.
The present thesis is divided into the following six chapters:
Chapter 1 Introduction: The motivations that drive this research and purpose, as well as the scope and methodologies of this study, such as theoretical analysis, historical study, comparative research, induction approach, and experimental research, are all explicitly described in this chapter.
Chapter 2 Franz Marc’s career as an artist: This chapter deals with the transformations Marc had undergone after he was exposed to oriental art when he was simply a fledgling artist, how he joined the New Artists’ Association of Munich, and later collectively founded Der Blaue Reiter with other artists.
Chapter 3 Marc’s artistic thoughts and paintings: A deep and thorough analysis of Marc’s styles and characteristics of artworks was made based on his animal paintings and prints. The author also compared the similarities and differences of the artistic philosophes and creative techniques possessed by three great masters of art: Franz Mac, Pablo Ruiz (1881-1973), and Umberto Boccion (1882-1916).
Chapter 4 The author’s philosophy in painting and how he used materials to create art: Oil and lacquer paints were utilized in the author’s experimental process, as their differences were also explored in this self-taught process.
Chapter 5 Self-analysis: The author tried to combine his research findings and artistic ideas, introducing each and every artwork he created.
Chapter 5 Concluding remarks: Research results were published, and the author-painter’s artistic styles at this stage were presented in this thesis. |
