本文介紹後現代主義之影響力，及其對華裔美籍作家 Frank Chin作品的價值。本 文主要探討 Chin 氏一九九四年一部小說 < Gunga Din 公路 > （ The Gunga Din Highway ）中一位人物官龍門（ Longman Kwan ）之處理手法。由作者對此人物所描繪的幾頁裡，讀 者可以感受到後現代主義的文學技巧，包括時空之壓縮；媒體影響下所產生的自我認定；對 宗教、迷信與神話的回歸；以及小說實體與讀者實體間界線之消除。以上歷歷印證作者與後 現代主義之密切關係。
This writing demonstrates the influence of the postmodern era and its values upon the writing of Chinese-American author Frank Chin. Specifically, this article examines the author's handling of a single character - Longman Kwan - from his 1994 novel, The Gunga Din Highway. In the few pages given over to this character, the reader is exposed to a number of postmodern literary techniques, including the compression of space and time; the media-influenced creation of self-identity; the regression to religion, superstition and myth; and the gradual collapse of the border between the reality of the novel and the reality of the reader. These illustrate the author's close association with the current values of postmodernism.
