德國作曲家約翰尼斯‧布拉姆斯(Johannes Brahms, 1833-1897)的《A大調第二號小提琴奏鳴曲》於西元一八八六年所創作，他的作品深受巴哈(Johann Sebastian Bach, 1685¬-1750)及貝多芬(Ludwig van Beethoven, 1770-1827)的影響，保有嚴謹的古典架構，再融合了十九世紀的浪漫情懷，開創了嶄新的創作概念。筆者欲藉由此首小提琴奏鳴曲，深入探討布拉姆斯作曲手法的獨特性。
本論文共分為五章，第一章緒論，包含研究動機、方法及目的；第二章為布拉姆斯概述，其中包含了布拉姆斯重要小提琴作品之探討及《A大調第二號小提琴奏鳴曲》創作背景說明；第三章樂曲分析，以樂曲主題與和聲結構加以探討整部作品的基本架構；第四章為演奏技巧及樂曲詮釋，筆者將依照三個樂章分節，並著重於個人演奏與詮釋方式之探討；第五章則為結語，為此研究作出最後的歸納及整合。
The German composer Johannes Brahms (1833-1897) wrote a brand new composing concept, Violin Sonata No.2 in A major op. 100, in 1886. His work is deeply influenced and inspired by J.S. Bach (1685-1750) and L.V. Beethoven (1770-1827), with a rigorous classical structure, combined with the romantic feelings of the 19th century. This paper explores the uniqueness of Brahms' composition techniques.
This thesis is divided into five chapters. The first chapter is an introduction, which contains research motives, methods, and purposes. The second chapter is an evaluation of Brahms, which contains a basic overview of Brahms' significant violin works and the explanation on the background of Violin Sonata No.2 in A major op.100. The third chapter analyzes the music, which details the basic structure of the whole work with the theme of the music and the harmony structure. The fourth chapter is the performance technique and the interpretation of the music, along with the three movements and focuses on the method and interpretation and performing part . The fifth and final chapter is the conclusion, which is an integration and induction of the research.
