舞台劇劇本《牽引》暨創作理念

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題名:	舞台劇劇本《牽引》暨創作理念 Play Writing and Conception of《The Draw》
作者:	黃莉宜 (Huang, LI-YI)
貢獻者:	戲劇學系
關鍵詞:	家庭親子關係血緣婚姻和解失智 family parent-child relationship blood marriage reconciliation dementia
日期:	2018
上傳時間:	2019-05-17 12:51:11 (UTC+8)
摘要:	本文旨在說明《牽引》舞台劇之創作理念與過程，從動機、取材及創作方法。第一部分為《牽引》舞台劇劇本的故事大綱、分場大綱以及完整劇本。劇本部分以現代舞台劇形式進行創作，以「婚禮」與「母女」作為創作發想，企圖透過此創作陳述人之於家庭的重要性，家庭影響人的層面無遠弗屆，人從出生開始第一個接觸的社會就是家庭，便與之建立連結。　　本劇透過三個時期共二十六年的三場婚禮，對家人彼此的關係之質疑、衝突和諒解。因為性格的不同，透過角色在不同階段的經歷，讓各自對自我有更深的省思，筆者想藉著創作傳達的是，與其執著過去，不如專注於把握現在，把握與家人相處的每個當下。　　第二部分為創作理念，包含創作動機、創作歷程以及劇本分析。除基本理論架構外，在寫作歷程的章節中亦依據故事大綱、分場與劇本各階段之反覆修正進行理念之陳述，以表達創作者在不同階段面對作品的思考歷程。將戲劇理論及劇本當中所想闡述的主題思想，加上筆者部分生命經驗，期待透過劇本創作帶給觀者對自身與家庭關係的省思。 This paper aims to explain the creative concept and process of the play "The Draw" , from the angel of motives, collected materials and creative methods. The first part is the syllabus, breakout outline and the complete screenplay of the drama of Traction. The first part of play is created in the form of a modern drama. It uses "weddings" and "a mother and a daughter" as creative ideas. Through this creation, it tries to emphasize the importance of each person in the family. The family influences a person's whole life starting from his/her birth because it is the first close social link a person establishes. Through three weddings in three periods of 26 years, this drama leads doubts, conflicts and understandings about the family's relationship with each other. Because of their different personalities, through their experiences at different stages, they have deeper reflections on themselves. What the author wants to convey through the creation is that people should focus on grasping the present and cherishing every moment of getting along with their family members, instead of persisting in the past. The second part is about the idea of creation, which includes the motive of creation, the creative process, and the analysis of the script. In addition to the basic theoretical framework, in the section of the creative process, the author also makes presentations based on the repeated revisions of the stages of the story outline, breakouts, and scripts in order to express the process of the creator's thinking about facing works at different stages. In addition to the part of the author's life experiences, she expects to reflect the relationship between the readers and their family through the creative script writing.
顯示於類別:	[戲劇學系所] 博碩士論文

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