文化大學機構典藏 CCUR:Item 987654321/44116
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    CCUR > College of Arts > Department of Music  > Thesis >  Item 987654321/44116


    Please use this identifier to cite or link to this item: https://irlib.pccu.edu.tw/handle/987654321/44116


    Title: 艾瑞克.伊威森《第一號長號協奏曲》之作品分析與演奏詮釋
    The Analysis and Interpretation of Concerto No. 1 for Trombone by Eric Ewazen
    Authors: 田曜瑋 (Tien, Yao-Wei)
    Contributors: 音樂學系
    Keywords: 艾瑞克.伊威森
    長號
    協奏曲
    奏鳴曲
    Eric Ewazen
    Trombone
    Concerto
    Sonata
    Date: 2018
    Issue Date: 2019-05-15 11:50:41 (UTC+8)
    Abstract: 艾瑞克.伊威森 (Eric Ewazen, 1954-),是當代銅管樂曲的代表人物,也是美國著名的新浪漫主義作曲家。此首《第一號長號協奏曲》原為1993年創作的《長號奏鳴曲》,後改編為由樂團伴奏之《第一號長號協奏曲》。

    伊威森的《第一號長號協奏曲》為20世紀長號作品中相當重要的曲目之一。筆者將透過研究他的作品,了解其獨特的新浪漫風格、創作手法與技巧,再經由分析樂曲的結構與創作背景,更深入的認識此曲,最後再藉由比對不同演奏家的詮釋版本,更深入理解樂曲之層次與色彩。

    本論文對伊威森的《第一號長號協奏曲》進行深入研究,內容一共分為五章。第一章為緒論,說明研究動機與目的、研究範圍與方法;第二章探討樂曲創作背景與風格;第三章對樂曲進行曲式分析;第四章為讀者對伊威森的《第一號長號協奏曲》所做的樂曲詮釋;第五章結語,總結此曲的研究與探討。
    Eric Ewazen (1954-) plays an important role in contemporary brass music, and is also an celebrated American composer of Neo-Romanticism. Concerto No. 1 for Trombone is an arrangement with band accompaniment. based on the Sonata for Trombone and Piano composed in 1993.
    Concerto No. 1 for Trombone by Ewazen is a significant contemporary trombone repertoire. The researcher aims to study his compositions, and look into his techniques influenced by Neo-Romanticism. Through analyzing the structure and background stories of the repertoire, the researcher will be able to have a better understanding of the composer and his works. Eventually, the researcher will compare interpretations of different performers in order to profoundly appreciate the layers and features of a repertoire.
    This thesis focuses on researching Concerto No. 1 for Trombone by Ewazen and can be divided into five chapters. The first chapter is an introduction identifying the importance of the proposed research, research methods and methodology. Chapter two leads to the background information and features of Ewazen’s works. Chapter three contains music form analysis. The researcher will provide his own interpretation of Concerto No. 1 for Trombone in chapter four. Last but not the least, a conclusion of the research will be provided in chapter five.
    Appears in Collections:[Department of Music ] Thesis

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