新世紀初期兩岸女性小說的家族書寫

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题名:	新世紀初期兩岸女性小說的家族書寫 Family Writing of Taiwan and Mainland China Female Fictions in 21st Century
作者:	劉文君
贡献者:	中國文學系
关键词:	兩岸文學女性小說新世紀家族書寫女性主義 Taiwanese literature contemporary Chinese Literature family writing feminist novel feminism
日期:	2018
上传时间:	2018-05-08 16:19:20 (UTC+8)
摘要:	自上世紀八十年代起，海峽兩岸都不約而同地出現了書寫家族故事的女性小說。本論文以新世紀之後的兩岸女性長篇小說作為研究對象，選取其中涉及家族書寫的文本進行討論。旨在對所選取的文本進行細讀，梳理女性作家藉由「家族書寫」所表現之女性成長歷程；分析同一時期兩岸女性小說家族書寫之異同，並探討女性的家族書寫是否呈現出女性生存所面臨的困境。第一章依例對研究的動機與目的、研究範圍與方法等予以說明，確定論文所要研究的八部作品（張潔的《無字》、徐小斌的《羽蛇》、葉文玲的《三生愛》、王安憶的《天香》，陳玉慧的《海神家族》、鍾文音的《在河左岸》、周芬伶的《影子情人》、陳燁的《烈愛真華》），了解本研究的研究進程與思路。第二章介紹大陸和臺灣的社會文化背景，在此基礎上整理作家生平與其相關創作，並對要討論作品的傳播與接受狀況予以說明。第三章分析文本中出現的主要女性人物的成長軌跡，找出她們所面臨的困境，並思考其出路。第四章則在探討家族譜系中的人物關係，歸納小說中塑造的父親與母親形象的特點，總結父女、母女及其他女性人物之間的關係，並對其進行分類。第五章主要分析隱匿在家族書寫中的歷史樣貌，關注女性對「歷史」的記憶，並專門分析臺灣家族書寫中獨特的身分認同和本土意識。第六章則從敘事技巧與敘事美學的角度總結小說的特點。最後的第七章除了總結本論文的討論重點之外，也提出了對女性小說的家族書寫之新的研究展望。 Since 1980s, feminist novel which contain family writing appeared in both two sides across the Taiwan Strait simultaneously. This thesis focuses on feminist full-length novel in mainland China and Taiwan in 21st century, and selects the novels involved family story to discuss. That is aimed at exposing：female survival status showed by female writers, the similarities and differences of family writing in the same period of feminist novel, discuss whether women's family writing presents the predicament of female survival. The first chapter explained the motivation, frameworks, and research methods of this study, define eight novels (Zhang Jie <No Words>，Wang Anyi <Fragrance>，Xu Xiaobin <Feathered Serpent;>，Ye Wenling<Love of three lives>, Chen Yuhui <Mazu's Bodyguards>, Zhong Wenyin<On the left bank of the river>, Zhou Fenling <Shadowy Lover>, Chen Ye <Zhen Hua’s animated love>) to research. The second chapter intro-duced social and cultural background of mainland China and Taiwan, based on this, introduced the writers’ life and their work; then summarize the spread and acceptance of the work. The third chapter analysed the track of growth of the main female figure, find the fact that troubled them, and thinking their future way out. The fourth chapter discussed the relationships of different character, sum up feature of father and moth-er image, summarize father-daughter relationship and mother-daughter relationship. Chapter V analysed the history hidden in the novel, concerned about the women's memory of "history" and analyzing the unique identity and indigenous awareness in Taiwanese family writing. Chapter VI summarized the features of novels from the per-spective of narrative techniques and narrative aesthetics. The last chapter, instead of giving a conclusion, was intended to put forward new prospects of women’s family writing.
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