文化大學機構典藏 CCUR:Item 987654321/38361
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    CCUR > College of Arts > Department of Music  > Thesis >  Item 987654321/38361


    Please use this identifier to cite or link to this item: https://irlib.pccu.edu.tw/handle/987654321/38361


    Title: 《純如集》— 朱苑柳音樂創作理念與樂曲分析
    Harmony Set:The Creational Concept and Form Analysis of Vivi Anggraini’s Music
    Authors: 朱苑柳
    Contributors: 音樂學系
    Keywords: 朱苑柳
    《純如集》
    合唱
    大自然
    Vivi Anggraini
    Harmony Set
    chorus
    nature
    Date: 2017
    Issue Date: 2017-10-18 11:52:43 (UTC+8)
    Abstract: 一首帶有歌詞的音樂作品,呈現出作曲者藉著歌詞所投射出的關懷與思想情感。筆者之音樂創作《純如集》共分為六個樂章,依序為〈起源〉、〈春〉、〈夏〉、〈秋〉、〈冬〉、〈終曲〉六樂章,歌詞選用了以大自然為題材的創作,結合了個人生活體驗與經歷,將具有正面能量、克服困境、調適憂鬱,以及對土地、環境、生命反思等議題帶入,期能引起聽眾的共鳴與反響。本文主要探討《純如集》作品的歌詞選用、創作理念、人聲與器樂之間的交互運用,或融合兩者,分析各首作品,檢視旋律與歌詞所蘊含的情感意義以及音樂詮釋手法。

    本文共分為四章:第一章為緒論,闡述筆者作品《純如集》之創作緣起、研究動機、研究目的與研究方法步驟;第二章為〈起源〉與〈終曲〉的創作理念與曲式分析;第三章為〈春〉、〈夏〉、〈秋〉、〈冬〉四首曲目的創作理念與曲式分析;第四章為結論,總結本文的研究結果。

    The composition of the music work reflects the caring sentiments, thoughts and feelings of the composer. The music writer uses “nature” as the central theme of her work. She integrates her perspective and contemplation on land, environment, and life as well as her personal experiences on how to keep a positive lookout towards the obstacles in life while overcoming her depression and these difficulties in her music, in the hope that her work can resonate and have an impact on the audience. This paper will discuss the inspirational idea behind the music work and analyze the alternation and integration used between the different vocal and instrumental parts. In addition, the emotional significance of the melody and lyrics in each music piece will also be examined in this paper.

    This paper is divided into four chapters. The first chapter is the introduction, where the motivation of study, the purpose of research and the research methods and steps are described. The second chapter discusses the use of monologue in the music pieces, “Origin” and “Finale”. The third chapter analyzes the inspiration concept of the four music pieces, “Spring”, “Summer”, “Autumn”, and “Winter”. The fourth chapter concludes and summarizes the results of the study.
    Appears in Collections:[Department of Music ] Thesis

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