| 摘要: | 本論文之主旨在於研究齊白石人物畫美學內涵，研究方法以文獻資料統整及圖像資料排比分析並重，從文獻的角度加以探討論述，並以《齊白石全集》十冊中第一至第七冊中之人物畫進行整合分類，依其人物畫畫跡進行圖像分析及研究。
研究目的是因其人物畫最具齊白石個人風格、獨特的選題與旨趣和個人繪畫的表現技巧；並且藉由齊白石人物畫創作發展脈絡及人物畫內在意義，來闡釋白石老人藉畫抒臆、畫以載道的生活美學觀，進而闡釋白石老人在繪畫藝術史上之地位。
本論文之研究及各章主題如下所示： 第一章作為緒論， 先說明本論文之研究動機與研究目的、研究方法與研究內容，為本論文章畫一架構，第二章說明齊白石的繪畫歷程，包括生活時代背景、個人學習經歷及其畫家生涯，第三章作為主要探究齊白石的創作思維
蠡測，包含師法名家、藝術的美學主張與齊白石人物畫的意涵探賾，第四、五章兩章依齊白石人物畫的題材作研究，第四章先針對佛道民間信仰中的神祇、忠孝節義古賢高士及歷史文學人物等分節進行研探，第五章進行現實世界中的市井庶民生活及自寫生活題材的人物畫進行研探， 第六章則為本論文之結論，總結齊白石人物畫藝術精神、繪畫風格與特色、成就與貢獻及學生研究的心得。
The main purpose of this thesis is to study the aesthetic connotation of Qi Baishi's
figure painting. The research method focuses on both literature data integration and the
image data comparison and analysis, discussing it from the perspective of literature,
and integrating and classifying the figure painting in the first to seventh volumes of the
ten volumes of Qi Baishi Complete Works to carry out the image analysis and research
according the painting trace of his figure painting.
The purpose of the study is because his figure painting shows most of Qi Baishi's
personal style, unique topic and aim and personal painting performance skills, so that
by Qi Baishi’s creation context of figure painting and the inner meaning of the figure
painting are used to explain Elder Baishi’s life aesthetics by painting to express his
thoughts, and feelings, and convey the Way view, and then explain the status of Elder
Baishi in the history of painting art.
The research of this thesis and the subject of each chapter are as follows: First of
all, Chapter 1 as an introduction, first explains the research motivation and research
purposes, research methods and research content, drawing a structure for this thesis;
second, Chapter 2 shows Qi Baishi's painting process, including the background of life,
personal learning experience and his painter career; in addition, Chapter 3 as the main
exploration of Qi Baishi's creative thinking, including famous teachers, and art
aesthetics advocates, as well as discussion of Qi Baishi’s figure painting. In the fourth
and fifth chapters, a study is carried out about the subject matter of Qi Baishi’s figure
painting. Chapter 4 aims at the study of the gods in the folk beliefs of Buddhism and
Taoism to explore by different sections ancient sages and noble characters with loyalty,
filial piety, integrity and righteousness, and the historical and literary figures. Chapter
5 carries out the study of the life of the common people in the real world, and the figure
painting of self-written theme of life. Finally, Chapter 6 is the conclusion of this thesis,
summarizing the art spirit of Qi Baishi’s figure painting, painting style and
characteristic, achievement and contribution and student’s study experience. |
