本文旨為筆者對於管弦樂團作品的創作理念與音樂分析，並藉由此論文來達到學術研究之目的。首先在第一章緒論當中談論到筆者對於編曲與配樂的認知，並闡述筆者求學時的背景與創作經歷，接著研究電影配樂中管弦樂之配器與運用，並探討與分析德國電影配樂家漢斯季默(Hans Zimmer)之作品。
第二章筆者談論到三部以戰爭為題材所創作出的管弦樂史詩作品。這三部作品的風格建立在現代文明後的末世背景之下，分別是《啟動》、《抵抗》、《得勝》，而此次的創作對於筆者來說不只是一種挑戰，也是對於未來音樂創作道路所作的準備而做鋪路，至於管弦樂團之配器、動機發展、記憶性旋律、氣氛拿捏是非常的艱困以及具有挑戰性。
最後於第三章談論此論文的研究對於未來於在創作上的幫助以及業界實務操作的幫助，也借此機會向讀者闡述筆者的創作心得以及經驗，讓更多想走向配樂道路的學弟妹們有所依據。
This article aims to author for the orchestral works of the creation of ideas and music analysis, and through this paper to achieve the purpose of academic research.
First of all, in the first chapter of the introduction to talk about the author's understanding of the arrangement and soundtrack, also elaborated the author's background and creative experience during the studying period. Then study on the Orchestration and Application of Orchestral Music in Music and explore and analyze the German film musician Hans Zimmer’s works.
The second chapter talk about three orchestral epic works base on wars as the theme. The style of these three works based on the background of the late modern civilization, Start, Fight and Victory. This creation is not only a challenge for the author but also the path to the future music creation. As the orchestra of the instrument, the development of motivation, memory melody, atmosphere is very difficult and full fill with challenging.
At last, in the third chapter is talking about the study of this paper for the future in the creation of the help and the practice of the industry to help. Also, would like to take this opportunity to express the experience during creation this piece and share the experience to those younger siblings at school who would like to do music soundtrack.
