| 摘要: | 約翰．布拉姆斯(Johannes Brahms, 1833-1897)為浪漫樂派德國作曲家兼鋼琴家。在1891年，布拉姆斯於邁寧根(Meiningen)欣賞了單簧管家理查˙謬爾費德(Richard Mühlfeld, 1856-1907) 的演奏，被他精湛技巧及音樂的表現力所吸引，開始為謬爾費德譜寫單簧管作品：《給單簧管、大提琴和鋼琴的三重奏》(Trio for Clarinet ,Cello and Piano Op.114)、《b小調單簧管五重奏》(Quintet for Clarinet, two Violins, Viola and Cello in b Minor, Op.115)及《兩首單簧管奏鳴曲作品120》(Sonata for Clarinet and Piano, Op.120 No.1 & 2)，這些皆是單簧管曲目中代表性作品。本論文以布拉姆斯的《f小調第一號單簧管與鋼琴奏鳴曲作品120》為研究主題，共分五章進行研究。第一章為緒論，說明研究動機與目的、研究範圍與方法。第二章簡述此曲的創作背景，第三及第四章分別為樂曲分析與演奏詮釋探討，每節為單一個樂章。第五章為結論，筆者將創作背景、樂曲分析與演奏詮釋的心得做最後統整。
Johannes Brahms (1833-1897) is a romanticism composer and pianist. In 1891 Meiningen, Brahms heard clarinetist Richard Mühlfeld’s performance, which impressed him and also attracted by his superb skills and the expression of music. This is why makes Brahms began composing series of clarinet works for Mühlfeld, including Trio for Clarinet ,Cello and Piano Op.114, Quintet for Clarinet, two Violins, Viola and Cello in b Minor, Op.115, and Sonatas for Clarinet and Piano, Op.120 No.1 & 2. All of these works are representative for clarinet repertoire. This thesis focuses on Johanns Brahms’s Sonata for Clarinet and Piano in f Minor, No.1 Op. 120. The thesis consists of five chapters. The first chapter introduces the motivations, objectives, scopes and methods of this reaserch. The second chapter would lead into the background of Brahms’s Sonata for Clarinet and Piano in f Minor, No.1 Op.120. The third and fourth chapter are analysis and interpretation of each section for a movement. The fifth chapter concludes by integrating the results obtained in the previous chapters with commentary. |
