| 摘要: | 網路的興起，讓許多的插畫不單只能透過書本或畫展的傳播，而是透過E化由網路四處傳遞，顯得無遠弗屆。加上近幾年出現的「療癒系」詞彙在網路與生活中被廣泛使用，一定程度減低了社會大眾的壓力，人們開始喜歡透過購買或觀看這些作品來得到心靈上的放鬆與舒壓，其中以生活插畫與療癒小物最為引起大家共鳴，其造型外觀和色彩都是它們被受喜愛的重要原因。而現實生活中也有許多地方利用插畫來進行包裝、宣傳，也因為這些全出自於創作者的發想，可以可愛療癒、可以詼諧幽默、可以夢幻唯美，然而這些美感情趣與創作目標都是此次論文研究的重要內涵。
筆者藉由生活中的療癒插畫做為此次論文的研究主題，探討¬¬¬¬¬¬¬¬¬¬插畫源由、外型特徵、色彩感知與讓人開心的生活療癒插畫，利用手繪的方式呈現這些小品插畫，並以動物結合生活做為這次創作的題材，希望展現與電腦創作不同的手繪溫度。本篇論文的架構藉由文獻探討分析插畫的種類、療癒系的內涵、Q版卡漫與動物插畫的功能性，以及Q版卡漫動物插畫析論，並舉例國內外插畫名家，分析、解構Q版插畫的造型元素、色彩配置和風格經營。創作的部分將分為三大類：經典童話系列、節慶假期系列、生活日常系列，用Q版動物插畫結合故事內容，展現自我的風格創作，希望藉由圖像傳達療癒、引發愉悅。最後將對此次的研究主題與創作實踐進行總結，提出對於後續的發展與自我的期許，以為將來的創作研究做好階段性的準備。
The rise of the network, letting many illustrations to spread not only through book or exhibition, but also penetrate E formalization to pass around through network, seems far and wide. Coupled with the vocabulary “Healing Style” appeared in the recent years is widely used in the network and life, to a certain extent reduce the public pressure, people began to love through purchasing or watching these works to get spiritual relaxation and massage, of which, the life illustration and healing small things can most struck a chord with everyone, its appearance and color are the important reasons for they are well-loved. But in real life, there are also many places use illustrations for packaging, publicity, and also because these all are from the envision of the originator, can be cute and healing, can be humorous, can be fantasy and aesthetic, however, these aesthetic temperaments and interests and creative objective all are the important intension researched in this thesis.
The author by the healing illustrations in life as a research topic of this thesis, to discuss the source of illustrations, external physical characteristic, color perception and delightful life healing illustrations, using hand-painted ways to present these sketches and illustrations, and take “animals in combination with live” as the subject of this creation, hoping to show the hand-painted temperature which differs from computer creation. Architecture of this paper through the review of technical literature to analyze the kinds of illustrations, the connotation of the healing style, the functionality of Q vision cartoon and animal illustrations, as well as analyzing theory of Q vision cartoon animal illustrations, and gives examples of the illustrations logicians at home and abroad, analyzing, deconstructing modeling elements, the color configuration and style management of Q vision illustrations. The creative part will be divided into three categories: classic fairy tales series, the festival holiday series, and the daily life series, using animal illustrations to combine with story content, presenting unique style of writing, hoping by image to convey healing, causing pleasure. Finally will summarize the research topic and creative practice, and put forward the development of the subsequent and self expectation, in order to prepare periodically for the future creative research. |
