在現今科技發達的時代，影像的取得相當便利。以不像過去需要仰賴畫家純手工的進行影像紀錄，因此筆者認為繪畫應將創作者本身的意志與情感一同融入創作之中，才能使作品更具有獨特性。本論述以「奇異境地」為研究主題，以「幻境」作為發想，將腦海中天馬行空的異想世界與平常生活中所遇見的平凡事物相互融合，主要以研究創作過程中所應用的超現實主義(Surrealism)與後立體派繪畫(Post-Cubism)的理論加以探討，並將學理理論、創作理念之實踐作一體系化之整合，藉由不同具象事物的排組合以及運用後立體繪畫的透視技法，將所有與現實分歧的幻想均實現於創作中，感受瞬間釋放的無限可能。同時也透過畫面所呈現的景物，探討幻想與物體結構的變異在油畫創作中的實踐，以超越現實為主軸，運用超現實主義的表現技法呈現筆者對外在的現實世界與內在心靈世界觀點的詮釋。針對影響筆者的繪畫思潮進行探討，分析藝術流派及其思想與筆者繪畫中實踐的情形。
In today's area of advanced technology, the image acquisition is quite convenient, having not been like past need to rely on the artists to carry out handmade video record. Therefore, I believe that the painting should be integrated with creator’s own will and emotions into the creation, so as to make the work more unique. The theme of this study is "Unimaginable Land", based on "wonderland", mutually integrating the imaginary world in ones mind and ordinary things met in ordinary life. It mainly explores the theory of Surrealism and Post-Cubism applied in
the study of creative process, and integrates the theories with the practice of creative idea.With the arrangement of different objects and the combination of the use of post-Cubism perspective techniques, realize all the realities of fantasy in the creation,
to feel the infinite possibility of instant release. In the mean time, through the scene
presented by the screen explore the fantasy and object structure variation in the practice of oil painting, with overstep reality as the main axis, using the surrealism performance techniques to show my interpretation of the external reality of the world and the inner world of the mind, moreover, exploring the trends in painting which affects me, analyzing art schools and their idea, and my practice of painting.
