德布西《貝加馬斯克組曲》之樂曲分析與演奏詮釋

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Title:	德布西《貝加馬斯克組曲》之樂曲分析與演奏詮釋 An Analytical and Interpretative Study ofSuiteBergamasque by Claude Debussy
Authors:	王予珩
Contributors:	音樂學系
Keywords:	德布西組曲印象樂派《貝加馬斯克》〈月光〉
Date:	2017
Issue Date:	2017-04-07 11:01:38 (UTC+8)
Abstract:	浪漫時期之後，德布西（Achille-Claude Debussy, 1862-1918）除了是印象樂派的主要作曲家之一，他創作的鋼琴作品更是不勝枚舉數量眾多，加上他獨特的創作手法，展現出新穎的音響效果，帶領了法國鋼琴音樂走入了新的尖端。本篇研究的《貝加馬斯克組曲》（Suite Bergamasque）是德布西早期重要鋼琴作品之一，於1905年完成。總共分為四個章節，第一章是緒論，分成兩個章節，包括本論文之研究動機及目的及研究範圍與研究方法。除介紹創作背景，第二章與第三章，將依序探討〈前奏曲〉（Prelude）、〈小步舞曲〉（Menuet）、〈月光〉（Clair de lune）、〈巴瑟比埃舞曲〉（Passepied）四首之樂曲分析與基本架構，以及樂曲上的詮釋方向與演奏技巧。第四章則是結語，總結對此次研究各方面的結果，作為最終的整理與歸納。 After the Romantic period, Achille-Claude Debussy (1862-1918) was one of the leading composers in the Impressionist music. He not only wrote a large number of piano works with his unique compositional skills, but also brought new and novel effects in music and led the piano music of France into a new era. The subject of this essay, Suite Bergamasque by Debussy, was completed in 1905 and is one of his important early piano works. This paper is divided into 5 chapters. Chapter One consists of two sections explaining the motivation and purpose of this essay. Chapter Two researches the compositional background of Suite Bergamasque in order to gain a better understanding of Debussy’s musical style. Chapter Three and Four focus on the formal analysis, interpretations and performing issues on the four pieces in Suite Bergamasque: Prelude, Menuet, Clair de lune and Passepied. Chapter Five discusses the various results in this essay and offers a conclusion.
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