| 摘要: | 本論文以老舍五、六十年代的作品所表現的思想意識為主題，首先概述中國大陸五、六十年代的變革以及知識分子的抉擇。在此背景之下，依據老舍五、六十年代的作品，將老舍劃分為四重身份，分別是文學家身份、文藝理論家身份、社會活動家身份以及獨立個體身份。然後，逐個剖析各個身份所擁有的思想意
識，接著理清四重身份之間的關係，並由此挖掘老舍的深層心理基礎，揭示其對藝術與政治的關懷、衝突與共識，在此基礎上，探究出老舍痛苦、彷徨、沉默這三條思想意識的精神主軸。
本論文分為八章。第一章「緒論」，旨在說明研究動機與研究目的，回顧探討前人的研究成果，並說明研究的步驟方法。第二章「中國大陸五、六十年代的變革與知識分子的抉擇」，則分別以中國大陸五、六十年代政治、經濟、文化的變革來展示時代大背景，並逐步深入到當時的文藝領域以及知識分子的抉擇與結局，以說明老捨身處的社會環境。
第三章「文學家身份的老舍及其思想意識」，從老舍五、六十年代的文藝作品入手，剖析出文學家身份的老舍狂熱的感恩讚頌之心、緊跟革命的使命感、機警避禍的理性力量和頑強不息的藝術之心。第四章「文藝理論家身份的老舍及其思想意識」，則以老舍的藝術信念與政治熱情的博弈歷程，說明其內心的矛盾與衝突。同時，整理出其理性的幾番求索與迷失以及隱藏於行文的自保技巧中的審慎意識與不安內心。第五章「活動者身份的老舍及其思想意識」，以社會心理學解釋了老舍被群體心理所控制的精神狀態，並且分析了老舍感恩戴德的文化名人心理以及身不由己的體制幹部心理。第六章「獨立個體身份的老舍及其思想意識」，則挖掘了老市民老舍的隱藏情緒、避言想法的防範疏離之心、為藝術慘淡經營的苦心與熱情以及回歸生活趣味的普通市民心理。
第七章「四重身份及其思想意識的整合研究」，分析歸納了四重身份的三大主題，從中剖析出四重身份的關係。其中更為深層的獨立個體身份與社會活動家身份各自的關懷、彼此的矛盾、相互的共識，共同構建了老舍思想意識中深層次的痛苦、彷徨、沉默的精神主線。
第八章「結論」，總結研究成果，討論老舍五、六十年代的作品所蘊涵的思想意識，同時展望老舍研究的新方向。
The theme of this paper is ideological research on Lao She's works in the 1950s and the 1960s. First, this content sketches the changes in mainland China and choices of the intellectuals. On this background, based on the close reading of Lao She’s works, this thesis will divide his ideology into four identities：writer, literary theorist, social activist and independent individual. Then this dissertation will analyze the identities and clarify their relationships in order to reveal Lao She’s inner concerns, conflicts and consensuses.
This thesis is divided into eight chapters.
Chapter One: "Introduction", illustrates the motivation and purposes, reviews the previous research results and steps of the research method.
Second chapter shows the reform of literary circles，the selections and endings of intellectuals under the influence of changes in mainland China, for explaining the circumstance that Lao She lived.
Chapter Three: By analyzing Lao She’s works, it is obviously to find a grateful heart, sense of duty, cautions, and passion for art.
Chapter Four: Describing the confrontation between art and politic and seeking Lao She’s inner contradiction help to reorganize his struggling and the self-protection skills hiding in his works.
The fifth chapter explains mental state of Lao She who was controlled by group psychology. Then this chapter explains Lao She’s ideology as cultural figures. On this basis, the sixth chapter explains Lao She's apartness, cautions, passion for art and the enjoyment of normal life.
The seventh chapter analyzes and summarizes the three main themes and relationships between each others. Among this, the common view and contradiction between independent individual and social activist, construct the painful, hesitated and silence line of his spirit.
Chapter Eight: "Conclusions", summarizes the research results, discusses ideology of Lao She’s works during 1950s-1960s and prospects the new research directions. |
