漢人風水與印度Vsstu-Shastra的建築傳統中，與象徵系統有關的守則與禁忌之比較研究

文化大學機構典藏 CCUR > 環境規劃暨生物資源學院 > 環境設計學院 > 建築及都市設計學系所 > 研究計畫 > Item 987654321/30537

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題名:	漢人風水與印度Vsstu-Shastra的建築傳統中，與象徵系統有關的守則與禁忌之比較研究 Comparing the Taboos Concerning the Symbolic Systems in Chinese Feng-Shui and Indian Vsstu-Shastra Architectural Traditions
作者:	黃恩宇
貢獻者:	建築及都巿設計學系
關鍵詞:	風水守則與禁忌象徵系統真實再現
日期:	2014-08
上傳時間:	2015-09-09 09:37:08 (UTC+8)
摘要:	漢人風水與印度 Vāstu-Shāstra 是世界兩大「建築知識體系」與「環境規範理論」的古老傳統。這兩個傳統皆關注各種人造空間的選址、朝向、布局與組織，接強調人造空間與外在環境間的和諧關係，並都有豐富古代典籍與當代實踐。風水與 Vāstu-Shāstra 往往以各類型的「守則與禁忌」體現其複雜與抽象的理論。無論是古代典籍所記載，或是從當代實踐得知，此二傳統的守則禁忌在形式上具有高度相似性，而這似乎也意味著它們可能有著意義上的相似性。在風水與 Vāstu-Shāstra 各類守則禁忌中，本計畫將針對「與象徵系統有關的守則禁忌」進行比較研究。舉例來說，風水有大量的守則禁忌與五行有關，Vāstu-Shāstra 則有大量守則禁忌與 Mahābhūta 有關，它們是兩組極為相似的象徵系統，皆由古典五元素所構成，並可對應至空間方位系統。此外，風水中的陰陽、四象、八卦等，與 Vāstu-Shāstra 中的 Vāstu-Purusha Mandalas、Vāstu-Shāstra Mandalas 等，亦為大量建築守則與禁忌所依附的重要象徵系統。本計畫將以比較建築學的研究方法，依其「研究範式」（建築為真實的再現）與「研究架構」（「三種長週期傳統」以及「五種短週期主題」），分析漢人風水與印度 Vāstu-Shāstra 傳統中，與象徵系統有關的建築守則與禁忌，探討它們在意義上的相似處與可對照處，發掘它們所暗示的「真實」，並說明它們如何強化這些真實的「再現」。 Chinese Feng-Shui and Indian Vāstu-Shāstra are two age-old world traditions regarding the ‘knowledge system of architecture’ and the ‘theories of environmental norms’, both emphasizing the importance of the siting, the orientation, the layout and the organization of different types of built spaces, and that of a harmonious relationship between built spaces and their wider external environment. The two traditions not only have numerous old texts but also continuously exert great influence on the modern practice of architecture. In practice, the complicated and obscure theories and ideas usually are usually embodied in various architectural do’s & taboos. Either according to Feng-Shui and Vāstu-Shāstra old texts or modern practice, we can easily find a great number of similarities in form between the do’s and taboos in Feng-Shui tradition and those in Vāstu-Shāstra tradition. We may also assume that there are similarities in meaning between them. Among many different categories of do’s & taboos in Feng-Shui and Vāstu-Shāstra traditions, those concerning the symbolic systems are chosen to be comparatively analyzed in this research. For instance, a lot of do’s and taboos in Feng-Shui tradition are prescribed according to the Wu-Xing system, while a great deal of do’s & taboos in Vāstu-Shāstra tradition are formulated on basis of the Mahābhūta system. As two similar symbolic systems, both Wu-Xing and Mahābhūta consist of five classical elements which indicate five directions/positions in a spatial system. Besides, many other important symbolic systems can be found in the two traditions, such as Yin-Yang, Si-Xiang, Ba-Gua, etc. in Feng-Shui traditions, and a variety of Vāstu-Purusha Mandalas and Vāstu-Shāstra Mandalas in Vāstu-Shāstra tradition. This research is going to be conducted according to the methodology presented for world architecture comparison, and the comparative analysis between the do’s & taboos concerning the symbolic systems in Feng-Shui tradition and those in Vāstu-Shāstra tradition will be conducted on basis of the research paradigm of ‘architecture as a representation of realities’ and in the research frames of the ‘Three Long-cycle Traditions’ and ‘Five Shorter-cycle Themes’ of worldwide architectural representations. The similarities in meaning of these do’s & taboos of the two traditions will be discussed. This research will bring to light the hidden ‘realities’ behind these architectural do’s & taboos and clarify what role these do’s & taboos play in supporting the ‘representations’ of these realities.
顯示於類別:	[建築及都市設計學系所] 研究計畫

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