北管「細曲」《追韓信》音樂之研究

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题名:	北管「細曲」《追韓信》音樂之研究 A Research of “Zhui Han Xin” in the“Iù-khik”（Refined Song）of Beiguan
作者:	黃莉娟 Huang, Li- Juan
贡献者:	音樂學系中國音樂組
关键词:	北管細曲曲牌《追韓信》唱詞結構 Beikuan Hsiqi Qu Pieces 《Zhui Han Xin》 Lyric Structure
日期:	2015-06
上传时间:	2015-08-18 10:27:22 (UTC+8)
摘要:	北管的音樂內容包含器樂類、歌樂類。其中，歌樂類有藝術性式極高的「細曲」音樂，音樂風格較為細膩、精緻，極具研究價值。在戲曲音樂中，特別以崑曲音樂最為精緻細膩，二者之間必定有借鑑之關係，故期望藉本文之研究，梳理崑曲曲牌與北管「細曲」之間的脈絡關係，並以音樂與文學的觀點出發，探究北管「細曲」音樂的藝術價值。本文分成四個部分。其一，探究北管細曲《追韓信》的歷史背景，分成北管概述、北管「細曲」音樂、《追韓信》之主題思想等；其二，探究《追韓信》的唱詞結構，並以鄭騫《北曲新譜》中北曲的六首同名曲牌之「本格」與北管細曲《追韓信》的唱詞結構進行比較分析，了解北管細曲《追韓信》的唱詞結構與北曲六首同名曲牌之「本格」的相互關係；其三，《追韓信》的音樂分析，以北管細曲《追韓信》中的六首曲牌進行拍號、調號、節奏形式、調式等音樂面向的比較與分析，進而了解音樂與文學的關係。最後，探究《追韓信》六首曲牌與崑劇《千金記‧追信》同名曲牌之音樂比較，藉以檢視北管細曲與崑曲曲牌音樂之間的關係，並提出筆者之觀點和見解。期望本文的撰寫，能對北管細曲《追韓信》的研究有資料的彙整，並藉此提高筆者音樂理論之學養。更希望本文之研究資料，可供未來研究北管細曲《追韓信》的學者參考。 Beikuan Music is comprised by instrumental music and vocal music. Among them, vocal music relates to a kind of music with supremely high art value called " Hsiqi," which is characterized with subtle and delicate style, and is rich for further research. In traditional Chinese Opera, the most subtle and delicate is Kunqu Opera, so Kunqu and Hsiqu must be closely inter-relational. Under such background, this research expects to clarify the contextual relationship between Kunqu Qu pieces and Peikuan Hsiqu. And, from the perspective of music and literature, this research aims to explore the art value of Beikuan "Hsiqu." This paper is divided into four parts. To start with, it probes into the historical background of the Beikuan Hsiqi 《Zhui Han Xin》categorized into Introduction of Beikuan, Beikuan "Hsiqi" music, and the subjects and thoughts of 《Zhui Han Xin》. Next, through comparison and analysis, the inter-relational relationship between《Zhui Han Xin》's lyric structure and "Ben-ge " (the original quality) of the six qu pieces with the same title in Zheng Qian's "Northern Qu's New Score" is discussed. Thirdly, this research conducts the music analysis of the Beikuan Hsiqu《Zhui Han Xin》's six qu pieces. In order to understand the relationship between music and literature, this study has compared and analyzed the six qu pieces' dimensions of time signature, key signature, rhythm form, mode and so on. Lastly, this paper has made a comparison between the six qu pieces in 《Zhui Han Xin》and the qu pieces with the same title in Kunqu Opera《Cian Jin Ji‧Zhui Xin》, and proposed the author's viewpoints and comments. It is truly expect that through this paper, research data about the Beikuan Hsiqu 《Zhui Han Xin》 can be gathered and organized. It is even expected that the research data in this research can make some contributions to the scholars who are interested in studies on the Beikuan Hsiqu 《Zhui Han Xin》.
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