| 摘要: | 隨著經濟的成長，人們的生活越來越富裕了，在生活品味的提升及普及之下，「美」竟成為了日常生活中的重要精神糧食。然美感並不是與生俱來的，他必需經過時間的培育與文化的薰陶才能形成的，導致「美」亦成為全球化的一大推動助力，至於如何從生活相關的事物去萃取美的本質，正是現代人們必先學習的一門課程。
本論文主要收集與論述台灣戰後第二代藝術家與教育家，許坤成教授，在其創作、教學生涯中，如何秉持自我的教育理念與藝術創作思維，去經歷各種世俗的感受，如何從浩瀚的樹海中脫穎而出且更加茁壯，並成就一個具有完整性的藝術憧憬，眾所皆知，一位藝術家真正想要做的，就是以自我的作品去療愈、彌補不完美的事物，促使自然事物能再現其固有的本質，進而發揮其崇高的作用與價值。
許坤成教授在新繪畫理念的創見過程中，始終如一地讓實際操作與學理並進，藉以臻至極那罕見的求新、求變之繪畫藝術創作觀，而「後立體派畫論」即是他辛勞努力的一大成果，畫論不僅融入了東西方繪畫元素、未來主義（Futurism）的空間意象，以及立體派（Cubism）的分割空間，亦有聖靈亮光的同在，使得「後立體派」的畫作呈現，是那麼地純淨、靜謚。
沉潛、鑽研畫論十幾年的許坤成教授，終於在西元2000年創見了「後立體派」（Post- Cubisme）的畫論，極力倡導畫面結構的多元性及「再現」事物的本質，使畫作彰顯出一股律動的美感及色澤溫潤的氛圍，為現代繪畫藝術開闢出一充滿新奇變化的「美」創作空間。
With the growth of the economy, people are getting rich, and under the promotion and popularization of lifestyle, “beauty” becomes an important spiritual food for daily life. However, a sense of beauty is innate, which must be formed through the incubation by time and cultural influence, so that “beauty” also becomes a big push power of globalization. As for how to extract the essence of beauty from life related things, it is a course modern people must learn first.
The main collection and discussion in this thesis is about professor Hsu, Kun-Cheng, a 2nd generation artist and educator in Taiwan of post-war. In his creation and teaching career, how he upholds the concept of self-education and artistic thinking to experience a variety of worldly feelings, and how he stands and is more robust from the vast trees, and achieves an artistic vision having integrity? It is well known, an artist really wants to do is to heal by his/her work to make up for imperfect things, causing natural things to reproduce their inherent nature, and play their noble role and value.
In the process of originating new painting idea, Prof. Hsu, Kun-Cheng consistently focuses on both practice and theories together, so as to attain that concept of painting art of extremely rare innovation and change. “Post-cubism painting theory” is a major achievement of his hard efforts. The painting theory not only incorporates Eastern and Western panting elements, the space imagery of Futurism and the divided space of Cubism, but also presents holy light, so that the presence of “Post-cubism” paintings is so pure and quiet.
Prof. Hsu, Kun-Cheng who has immersed and studied painting theory more than one decade, finally originated the “post-cubism” painting theory in 2000.
He strongly advocates pluralism of picture structure and the essence of “reproduced” things, so that paintings highlight an aesthetic rhythm and warm color atmosphere, opening up a creative space of “beauty” full of novelty and change for modern paintings. |
