本論文分成兩個部分，第一部分為《軌‧覺》劇本創作的呈現；故事大綱、分場大綱、完整劇本。劇中以愛情為主題，透過方靜婷、紀家成、明峰教授三人的相處，表現柏拉圖《會飲篇》提及愛無好壞，但為愛而行善作惡時，『愛』有了好壞，愛的本身是美好和真誠，若以善為目的的時候，愛才能成為最偉大的力量，他們之間的糾葛與衝突，使靜婷面臨越來越多的矛盾和掙扎，她該會如何突破重圍面對人生的轉變，肯定女性堅強的生命韌性。
第二部分為電影劇本《軌‧覺》的創作理念，共分四個章節。第一章說明創作的動機、方法、取材方式和預期成果；第二、三、四章則依序討論創作題材的靈感來源；第二章著重在故事大綱、分場大綱、完整劇本的創作歷程；第三章則是探討思想主題、人物建立、對白運用、情節安排的寫作過程。每個章節段落都會引用創作的理論和依據做為參考，再將劇本中的內容為實例，討論如何實踐和運用；第四章回顧上述的創作過程，提出反省與檢討，讓創作有進步的空間與機會。
The paper is divided into two parts, the first part named Derailment and Self-awareness. Love is the theme during the screenplay, which is the relationship between Chin-ting、Chia-chen、Ming-fong, to presentation ‘’Symposium’’ in Dialogues of Plato. Love doesn’t belong to good or bad but only ‘’do’’ it in good or bad, which is because of in the beauty & the honest. Love can really be the greatest power while in good. The disputing & the conflicting are in their relationship to struggle Chin-ting. How she can breaks though the alternative in life to ensure the flexible of life. The 2nd part is the method of creation, which is divided into 4 chapters. 1st chapter explains the motivating, the planning and the result. Follow on the 2, 3, 4 chapter explain the inspiration of creation. 2nd part is to focus on the love story outline, the dividing outline and experience of creating the complete screenplay. 3rd part is to discuss the theme of method, actor & actress, conversation, the process of drama. Each of chapter is to reference from the theory and practice of creation. The final chapter review the process of creation, which is to self-question and discuss in order to improve the creation.
