文化大學機構典藏 CCUR:Item 987654321/29702
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    jsp.display-item.identifier=請使用永久網址來引用或連結此文件: https://irlib.pccu.edu.tw/handle/987654321/29702


    题名: 業餘到專業演員案例之研究- 以京劇淨角陳元正為例
    A Case Study on an Example of an Amateur Became a Professional Performer— Chen, Yuan-Zheng, The Role of Jin in Chinese Opera
    作者: 鄭農正
    Cheng, Nung-Cheng
    贡献者: 戲劇學系
    关键词: 陳元正
    淨角
    伶人
    票友
    Chen, Yuan-Zheng,
    the role of Jin
    Chinese opera actor
    Piao-yo
    日期: 2014-12-31
    上传时间: 2015-02-05 11:45:40 (UTC+8)
    摘要: 本研究旨在探究京劇淨角陳元正先生,從業餘到專業演員之案例研究。在傳統戲曲裡,以生、旦、淨、丑分成四種行當,而花臉屬於淨,通稱大花臉。傳統京劇的戲碼中大多以生、旦為主,淨、丑為輔,而花臉似乎擔綱一個重要的配角任務,透過此研究,筆者將京劇淨角的流傳脈絡以及陳元正先生從業餘人士到專業伶人的歷程,進行與探討分析。筆者自幼進劇校學習京劇,對唱腔非常熱愛。「裘派」為目前當紅的淨角流派,陳元正先生為台灣早期演唱「裘派」之淨角,藉由此論文記錄師長陳元正先生淨角詮釋歷程,為台灣京劇多留下一篇相關淨角之文獻。

    陳元正先生的銅錘戲、黑頭戲及白臉末,都各具特色。陳元正先生戲的唱腔、身段、角色加以鑽研、琢磨後,造就台灣淨角之地位。筆者在本研究論文中藉由陳元正先生在上述戲中的唱段,進行分析及探討,並論述在不同的時代背景下,傳統戲曲藝術的傳承,透過文字記錄分析得以流傳。

    為達前述研究目的,本研究採用「文獻分析法」以及「訪談法」,以閱讀相關文獻以及透過訪談及提問的方式,蒐集相關資料,進行歸納整理與分析。研究結論整理如下: 一、 各個表演藝術家經流派與流派之間的切磋與相互學習,走出新一代的派系風格;二、票友獲致成功並大放異彩,主因來自優異的嗓音天分以及自身濃厚的興趣;三、陳元正先生在京劇界的成就,主要來自於努力向上以及對傳統戲曲之熱誠與熱情。
    The purpose of this study was to research an example of an amateur to a professional, Mr. Chen, Yuan-Zheng, as the role of Jin in Beijing opera. There are four roles which are "Sheng","Dan","Jin",and "Chou" in the traditional Beijing opera. "Jin" is a painted face male role. Among them, "Sheng " and "Dan" perform the main characters, and "Jin" and "Chou" perform the supporting characters. The researcher wanted to analysis the main stream from "Jin" and traced the progress from Mr. Chen, Yuan-Zheng as an amateur to a professional performer. As the researcher myself, I studied Beijing opera in National Taiwan College of Performing Arts School when I was very young. I love the singing part of Jin. Mr. Chen plays the role of Jin in a popular performing way of "Qiu"style. I wanted to do the case study to dedicate my teacher, Mr. Chen, who plays a successful role of Jin in Taiwan.
    Mr. Chen, Yuan-Zheng performed the three plays, "Tong-chui", "Black-headed", and "White-faced" in different styles and specialties. Mr. Chen made studies of the plays on the music voices, gestures, actions and roles. In this research, the researcher did the analysis from one singing part and studied through the written words to let the traditional opera arts continue to the next generation.
    This study used "Literature Analysis" and "Interview Survey" to attain the study purpose, and the conclusions were as follows:
    1. Performers learn from each other and form new groups of performing styles.
    2. The main reasons why an amateur, the " Piao-you ," becomes successful are their talented voices and interests.
    3. Mr. Chen, Yuan-Zheng's achievement in Beijing opera are based on his diligent attitude and enthusiasm.
    显示于类别:[戲劇學系所] 博碩士論文

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