| 摘要: | 自研習藝術創作以來，色彩與大自然的物象表現主題，一直是筆者致力探討的創作方向。無論是曾經學習過的中國傳統繪畫、現代水墨畫或西洋油畫等，藉由大自然啟發的創作思維，經過筆者的一番思考與沉澱後，融合自己對於將其轉化為自我繪畫創作的動力。本論文以趙無極的抽象繪畫之研究作為撰寫論文的主軸。此外在論文中，亦加上了自我繪畫作品發表的部分。筆者之所以研究趙無極的抽象繪畫藝術，其唯一的理由即是試圖藉著本論文的研究，來瞭解趙無極在抽象繪畫藝術領域所作的努力；至於繪畫物象與色彩運用的方法論，以及其藝術創作的內心世界，更可作為筆者在創作過程中的借鏡，尤其以色彩的表現方面為最。從研習趙無極的抽象繪畫過程中，讓筆者更瞭解到色彩使用的最高深度與極端奧妙。針對色彩的使用，趙無極曾經提到：「色彩本身並無好壞之分，每一個色彩都負有本身的特色，而是如何運用不同的色彩，巧妙的呈現在它們適合的位置。」趙無極的這種色彩概念，大大地啟示著筆者如何從大自然的景象中，汲取無盡的色彩運用資源，使其與物象合而為一，呈現出巧妙及變幻無窮的組合關係，也就是說，把賦與大自然任何物象的顏色，在光線的促成之下，和諧、對比及完美地呈現在畫面中，而這也正是筆者所欲達到的創作目標。本論文的研究將在一定的架構範圍內，針對藝術家的成長、藝術創作本身，以及其周圍藝術生活環境的事件，做一仔細地敘述、探討、分析、比較和歸納，並以此研究的經驗及所得，運用於自我創作理念根據的奠定，為的是替自我繪畫作品的架構，找出一合宜的詮釋方式。為求論文結構的完整性，筆者特將全文分為六個章節論述之。
The topics of the expression for the color and the natural phenomena always have been my research direction since the time I studied the art creation. Regardless of having studied the traditional Chinese painting, contemporary ink painting or Western oil painting, by means of having the creative thought inspired by the nature source, I try to fuse and transform it into a working power of my creation after a deep meditation and settlement in mind. The research of Zao Wou-Ki’s abstract painting is the main theme of this thesis. In addition, this thesis also includes an exhibition of my painting works. The only reason that I research Zao Wou-Ki’s abstract painting art, is trying to use this research for understanding of Zao Wou-Ki’s endeavor in the abstract painting domain. As for the methodology of the object painting and the color utilization in painting as well as the inner world of mind in his artistic creation, can be good lessons for me in my art creation process, especially in color expression. From studying in Zao Wou-Ki’s abstract painting process, I will be able to comprehend the most possibility and mystery in color use. In view of the color use, Zao Wou-Ki has spoken that “color does not exist the quality problem itself. Each color has its own characteristic and how to use the different colors perfectly in the right positions”. Zao Wou-Ki’s concept of color has greatly enlightened me in the way of how to derive the inexhaustible resources of color use from the nature scenes to combine into one with natural phenomena, presenting skillful and unexpected combination relationship. In other words, under the sun light, the color in the natural phenomena has been perfectly presented in the painting with the way of harmony or contrast that it is my creative goal to be achieved. The research in this thesis is confined in a regular construction that it focus on the artist’s growth, art creation, as well as the living events surrounding the artist to make narration, investigation, analysis, comparison and induction carefully. By obtaining this research experience, I use it to consolidate my creation concept basis and find a better annotation for my painting style. In order to make this thesis more integrity in composition I divide it into six chapters for better elaboration. |
