比利時音樂家亨利．魏奧當在十九世紀浪漫樂派中扮演極為重要的角色，同時是精湛的小提琴演奏家也是一位大膽創新的作曲家，身為作曲家，他大膽地把交響詩風格帶入協奏曲裏頭，他受古典樂派作曲家的薰陶影響，在演奏風格傳承了法國小提琴樂派的精神，成為法國比利時小提琴樂派的重要人物之一。
除了知名的小提琴協奏曲一共八首的貢獻外，此首降B大調奏鳴曲，在中提琴曲目當中也是少有的傑出作品，筆者將魏奧當的作品降B大調中提琴奏鳴曲為例，探討作曲家的生涯、創作手法和作品分析，並進一步探討詮釋與演奏技術。
Henri Vieuxtumps was one of the most important musician in nineteenth century. As a virtuosity violinist performer while creating own style, he adopted France-violin school. Also, he effected by some of musician as Beethoven and Bériot. As a composer, he was bring Symphony style to his Violin works. His works over sixty that include eight Violin concerto works, some of pieces, and Viola sonata works etc. Works like Viola Sonata op. 36 which is the subject of this study. This study seeks shed light on Sonata op.36 by exploring Henri Vieuxtemps’s creative background, compose style and analyzes the music which by music form and tonality. Also, interpretations this sonata depending on the notation which on the sheet and practice technique.
