布爾加科夫改編《死魂靈》劇本時，力求各角色之對話鮮明生動，當觀眾熟悉的果戈里小說角色出現時，便能呈現出俄國農奴制度社會的怪誕荒謬。本文探討布爾加科夫如何利用《死魂靈》的主角寫出《乞乞科夫漫遊記》及改編劇本《死魂靈》時的藝術構思與追求。
When Bulgakov adapted Dead Souls for stage performance, he made special efforts to make sure that his characters have lively conversations. As soon as the Gogol-style characters appear, the absurdity of Russia's serfdom is shown. This paper analyzes Bulgakov's attempts in adapting the novel Dead Souls and composing Chichikov's Adventures as well as his pursuit of arts in his adaptation.
