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    題名: 姚明麗之個案研究
    The Case Study of Ming-li Yao
    作者: 周柏欣
    Zhou, Bo-Xin
    貢獻者: 舞蹈學系
    關鍵詞: 姚明麗
    舞蹈教育
    芭蕾教學
    中國芭蕾舞劇
    Ming-li Yao
    Dancing Education
    Ballet Teaching
    Chinese Ballet Drama
    日期: 2012-12
    上傳時間: 2014-09-05 15:21:39 (UTC+8)
    摘要: 民國五十年代前後的台灣即已出現芭蕾舞蹈,其技藝多傳自日本。光復後台灣舞蹈受到日本舞蹈文化影響芭蕾也不例外。當時由日本學成歸國的舞蹈者為數不少,其中姚明麗是極具影響力的芭蕾編舞家與教育家。1962年她由日本歸國後,帶回《天鵝湖》與《吉賽兒》的原版樂譜,之後與台北市立交響樂團合作,演出全幕的芭蕾舞劇《天鵝湖》與《吉賽兒》。1964年任教於中國文化學院音樂舞蹈專修科(現今文化大學舞蹈系),1970年擔任國立藝術專科學校舞蹈科(現今國立台灣藝術大學舞蹈系)的芭蕾課程,並成立了「姚明麗古典芭蕾舞團」。
    姚明麗奉獻於芭蕾舞蹈教育四十餘年,將所有心力投注在芭蕾舞蹈教學與創作上,數十年如一日,培育出許多優秀的舞蹈教師及表演人才。更編創了具有中國文化色彩的芭蕾劇《龍宮奇緣》與《孔雀東南飛》。
    本研究將透過史料分析以及訪談,探討姚明麗編創芭蕾舞作之風格,並且了解姚明麗對芭蕾舞蹈教育之理念。進而陳明半世紀以來姚明麗對台灣芭蕾教學以及創作之影響。

    Ballet performance has been available in Taiwan since 1960s. The dancing skills were influenced by Japan performers at that time. Many performers learned dancing skills in Japan and then returned to Taiwan. Ming-li Yao was one of these performers and became a famous choreographer and educator. In 1962, she returned to Taiwan from Japan with the original musical score of “Swan Lake” and “Giselle”. Then she performed the full acts of these two ballet dramas with Taipei City Orchestra. She acted as a lecturer in Cultural University in 1964 and Taiwan Art University in 1970. She also founded Ming-li Yao Classical Ballet.
    Ming-li Yao has been devoting herself to ballet teaching for over 40 years. She put all her efforts in ballet teaching and ballet performance creation. A lot of excellent ballet teachers and performers were also raised by her. In addition, she created two famous ballet plays “Legend of Dragon Palace” and “Peacock Flying Southeast”, which are based on Chinese culture.
    Through the history analysis and interview, we studied the creation style of Ming-li Yao and try to understand her principle to the ballet education. Further more, we interpreted the influence of Ming-li Yao has made to the Taiwan ballet teaching and creation
    顯示於類別:[舞蹈學系所] 博碩士論文

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