| 摘要: | 琵琶協奏曲《西雙版納的晚霞》與《花木蘭》，是文化大革命之後第一批創作的作品，從七十年代末期流行至今歷久不衰。本文主要是對這兩首琵琶作品分別從樂曲的曲式分析、琵琶演奏與詮釋等方面加以研究，並試著從這些面向探討這兩首樂曲的異同之處。
論文內容共分成四個章節：第一章緒論、第二章樂曲《西雙版納的晚霞》的探討、第三章樂曲《花木蘭》的探討、第四章結論。
第一章緒論，說明本論文的研究動機與目的、研究範圍與限制、研究方法以及樂曲分析相關說明。
第二章《西雙版納的晚霞》與第三章《花木蘭》的深入研究，詳細探討這兩首琵琶協奏曲的創作手法、曲式分析與演奏詮釋。
第四章結論，摘要說明各個章節的研究成果，並試著從創作風格、創作手法、演奏技巧與詮釋等不同角度與面向，去分析比較這兩首作品的異同之處，在將整個論文研究作一個歸納總結，期許對琵琶的演奏藝術，有更全面性而深入的瞭解。
The pipa Concertos, "Xishuangbanna" and "Milan", the first batch of works created after the Cultural Revolution, had long lasting from the late seventies. In this paper, from the aspect of the musical form analysis, pipa performing technics, and the music interpretation, the study explored the differences and similarities of the two pieces.
The dissertation is divided into four chapters: Chapter I “The Introduction”; Chapter II “The Study of Xishuangbanna”; Chapter III The Study of Mulan; Chapter IV “The Conclusion”.
In Chapter I, the article indicates the motivation and purpose of this study, the scope and limitations, the research methods, as well as music analysis instructions
In Chapter II and III, the in-depth study of "Xishuangbanna" and "Mulan" explore the creative approach of the two first Pipa Concertos, form analysis and performing interpretation.
In Chapter IV, a summary of the various sections of the research results is stated, and an analysis of the similarities and differences of these two works is made from different angles oriented, including writing style, creative approach, playing techniques and interpretation. This thesis is considered as a summary, and expected to be a more comprehensive and in-depth Understanding of the pipa art. |
