歌唱藝術中呼吸法與共鳴腔之運用─ 以陳佩淇獨唱音樂會曲目為例

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Title:	歌唱藝術中呼吸法與共鳴腔之運用─ 以陳佩淇獨唱音樂會曲目為例 The Application of Breathing Methods and Resonance Cavity in Vocal Arts：Analysis of Songs Performed at Chen Pei Chi's Solo Recital
Authors:	陳佩淇
Contributors:	音樂學系
Keywords:	歌唱藝術 vocal arts 呼吸法 breathing method 共鳴腔 resonance cavity
Date:	2012
Issue Date:	2013-03-22 14:35:10 (UTC+8)
Abstract:	歌唱是最原始、最古老的音樂藝術之一，也是人類的本能，歌唱藝術是經由文化時代的變遷，在歌唱中漸漸產生不同的面貌風格與演唱需求，將這些過程經由演變，流傳發展出一套有系統的歌唱方法與技巧，且具有提升人類歌唱之藝術價值，即為歌唱藝術。歌唱藝術是無國界、無語言的音樂藝術，它深藏的藝術魅力，吸引眾多歌唱者投入，其歌唱藝術的魅力為歌者透過歌聲所傳達的內涵與情感，而魅力下的歌唱功力是建立在正確的歌唱認知與實際歌唱練習中。故身為學習歌唱者，對歌唱藝術中呼吸法與共鳴腔的運用和技巧，值得深入研究。本文以歌唱藝術中呼吸法與共鳴腔之運用為研究對象，並將研究分析後所獲得的歌唱技巧與認知，及盡所能應用於八首中文曲例的演唱詮釋中。研究內容包含：（一）人體呼吸器官、適合歌唱的呼吸方法，以及如何在歌唱中有效的運用呼吸法；（二）歌唱中共鳴腔之種類、共鳴腔體之間的關係，和共鳴腔體與氣的相互運用；（三）四首中國歌劇選曲之歌曲曲式分析與演唱詮釋；（四）四首藝術歌曲之歌曲曲式分析與演唱詮釋。期望透過本次研究，可讓筆者在演唱時運用正確、良好的歌唱認知與使用方法，也為歌唱者、同好者提供不同面向的歌唱藝術資料做為參考。 Singing is one of the most original and oldest musical arts, and considered by many as a natural human instinct. With the changes brought about by historical and cultural developments, the art of singing has also gradually evolved, resulting in different singing styles and performance criteria. Today the vocal arts consist of systematic singing methods and techniques developed over time with the aim to elevate the artistic value of vocal music. The deep allure of vocal arts transcends the boundaries of nations and languages, attracting singers from all over the world to dedicate themselves to this particular realm of music. The inherent beauty of singing lies in the emotions and meanings conveyed by the vocalists through their unique voices, supported by correct vocal training and techniques. As a student of vocal arts, I am especially interested in the theory and application of breathing methods and resonance cavity. This study seeks to discuss the use of breathing methods and resonance cavity in singing, and after careful research and analysis, to apply various vocal techniques and cognitive skills to the interpretation of eight vocal pieces. The following topics are discussed in the study: 1. Human respiratory organs, effective breathing methods for singing, the application of breathing methods to vocal training; 2. Various types of resonance cavity, the relationships between various resonance cavities, mutual application of breathing and resonance cavity; 3. Analysis and performance interpretation of four Chinese opera pieces; 4. Analysis and performance interpretation of four art songs. It is hoped that this study will provide knowledge and insight into correct, effective techniques and cognitive skills that may be helpful to vocalists and music aficionados, adding to the existing body of literature on various aspects of vocal arts.
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