本文主要探討巴洛克聲樂曲目，並且利用不同作曲家的藝術歌曲及神劇，來做為筆者探討及演唱的詮釋。
本文共分四章，第一章研究動機與目的、研究範圍與方法。第二章認識花腔女高音，簡單介紹筆者如何確立聲音方向。第三章曲目探討，詳細介紹作曲家生平和創作背景，及深入探討曲式結構和演唱詮釋。第四章為結語。
此本論文主要研討的曲目有：帕斯柯尼的藝術歌曲《美麗的嘴》（Bella bocca）、波爾波拉的短詩《不再有石頭的阻礙》（Non più fra sassi）、派西耶羅的藝術歌曲《你看中的是誰？》（Chi vuol la zingarella）、韓德爾的神劇與藝術歌曲《讓我哭泣吧!》（Lascia ch’io pianga）、《錫安的女子，應當大大喜樂》 （Rejoice greatly, O daughter of Zion）、《明亮的六翼天使》（Let the bright Seraphin），期盼在作品原貌之下，表現出不同作曲家的作品風格。
Abstract
This paper discusses the Baroque vocal composition, and introduces different composers of art songs and oratorio, that the writer could study and presentation the composition.
The present study possesses four chapters. The first chapter is to describe the motivation, purpose,material and method of the thesis. The second chapter discusses the coloratura soprano and introduction to the auther how to establish a sound direction. The third chapter discusses the presentation of composer’s life and creative background. The last chapter is conclusion.
The thesis includes introductions of the composers and the art songs; Bernardo Pasquini’s art song , Nicola porpora’s versicle, Giovanni Paisiello’s art song , G.F. Händel’s oratorios and art song < Lascia ch’io pianga >, and . Hoping that can present different composer’s style but still keep the original aspect.
