| 摘要: | 海頓(Franz Joseph Haydn, 1732-1809)與胡麥爾(Johann Nepomuk Hummel, 1778-1837)所作的小號協奏曲為古典時期重要的小號協奏曲作品，作曲的動機也皆是為當代由宮廷小號手魏丁格(Anton Weidinger, 1766-1852)所研發出的按鍵式小號(Key trumpet)而作曲，此種加鍵方式，使得小號開始能夠完整演奏半音階音型，開啟了小號協奏曲創作的發展性。此兩首協奏曲至今在小號的演奏曲目中仍占有重要且不可取代的地位。
本文〈海頓降E大調小號協奏曲與胡麥爾降E大調小號協奏曲之作品分析及詮釋〉共分為五章，第一章為緒論，說明筆者研究此論文之動機、目的、範圍與方法。第二章為古典時期小號的發展與作品特色，從音樂發展史探討古典時期的小號發展，與其發展帶來小號作品的影響。第三章為海頓小號協奏曲，分別就海頓的生平與創作背景、小號協奏曲的樂曲分析與演奏詮釋三部份來研究此曲。第四章為胡麥爾小號協奏曲，以胡麥爾的生平與創作背景、小號協奏曲的樂曲分析與演奏詮釋三部份來探討此曲。最後第五章為結論，將本篇論文作一結論，並提出筆者的看法與觀點。
The Concertos for Trumpet by Franz Joseph Haydn(1732-1809), and Johann Nepomuk Hummel(1778-1837), are important trumpet concertos in the classical period. The motive to write these works is beacause at that time a court trumpeter, Anton Weidinger(1766-1852), developed the Key Trumpet. This way to add button can let trumpets playing semi-chromatic figurations, opened the development of Concerto for Trumpet.The two concertos play important and irreplaceable roles in this day.
This article, An Analytical and Interpretational study of Joseph Haydn’s and Johann Nepomuk Hummel’s Concertos for Trumpet and Orchestra, is divided into five chapters. The first chapter is introduction, indicating the motive, the reason, the range and the method of the author of this paper. The second chapter is the development and its characteristics of trumpet in the classical period, telling the development of trumpet in this period according to the music history, and what the influence bring to the trumpet works. The third chapter is about Haydn Concerto for Trumpet and Orchestra in E-flat Major. It is explained by three parts, Haydn’s life and creative background, the music analysis of the Concerto for Trumpet, and the interpretation of performance. The forth chapter is about Hummel Concerto for Trumpet and Orchestra in E-flat Major. It is also explained by three parts as well as the third chapter’s. The last chapter is the conclusion of this paper, bringing up the views and points of the author. |
