孟德爾頌《奇想輪旋曲》、《幻想曲》、《莊嚴變奏曲》之詮釋報告

CCUR > College of Arts > Department of Music > Thesis > Item 987654321/23520

Please use this identifier to cite or link to this item: https://irlib.pccu.edu.tw/handle/987654321/23520

Title:	孟德爾頌《奇想輪旋曲》、《幻想曲》、《莊嚴變奏曲》之詮釋報告
Authors:	謝育容
Contributors:	音樂學系
Keywords:	孟德爾頌 Mendelssohn 《奇想輪旋曲》作品14 Rondo Capriccioso op.14 《幻想曲》作品28 Fantasie op.28 《莊嚴變奏曲》作品54 Variations Serieuses op.54
Date:	2012
Issue Date:	2012-10-30 10:13:29 (UTC+8)
Abstract:	本論文以孟德爾頌《奇想輪旋曲》作品14、《幻想曲》作品28、《莊嚴變奏曲》作品54之背景與風格及樂曲分析與詮釋為主題，共分為六章。第一章為緒論，內容包含研究動機與目的，研究範圍與方法。第二章以探究孟德爾頌的音樂創作手法與創作背景為主。第三章為孟德爾頌《奇想輪旋曲》之樂曲分析與演奏詮釋。第四章為孟德爾頌《幻想曲》之樂曲分析與演奏詮釋。第五章為孟德爾頌《莊嚴變奏曲》之樂曲分析與演奏詮釋。第六章則綜合本論文對孟德爾頌的創作背景與風格，樂曲分析與詮釋之研究，提出結論。 This thesis is focused on Felix Mendelssohn’s Rondo Capriccioso op.14, Fantasie op.28 and Variations Serieuses op.54. It consists of six chapters. The first chapter, introduction, includes the studies of motives, purposes, scope and methods. The second chapter explores for a summary of Mendelssohn’s lifetime events and music creative background. The third chapter is an analysis and interpretation of Rondo Capriccioso op.14. The fourth chapter is an analysis and interpretation of Fantasie op.28. The fifth chapter is an analysis and interpretation of Variations Serieuses op.54. The sixth chapter combines the creative background, style, analysis, interpretation of these three Mendelssohn’s piano works into a conclusions.
Appears in Collections:	[Department of Music ] Thesis

Files in This Item:

File	Description	Size	Format
http___thesis.lib.pccu.edu.tw_cgi-bin_cdrfb3_gsweb.cgi_ccd=Wkq9TO&o=e2&dbid=I%2B329%3A%22%3E.pdf		1675Kb	Adobe PDF	6141	View/Open

View Licence

Loading...