| 摘要: | 以「論動植物圖像的象徵性意涵及創作表現之形式」作為論文主題的目的，在於以視覺藝術來探討西方科學藝術家在動植物圖鑑繪畫上的表現技法及藝術精神，以及科學家在研究動植物的形態及習性之當下，如何去掌握它們的形與神。筆者不僅以此研究心得作為創作的靈感來源，更進而研練、操作，藉以尋找出動植物繪畫不同的創作空間，全論文共計六個章節，其要點分述如下：
一、基本論述之研究
第一章「緒論」：簡述專題研究之動機與目的，以及論文所採用的研究方法、研究範圍與架構。
二、主要的研究內容
第二章「美」藝術真諦的追求─「動植物」科學藝術家安德烈‧艾維諾夫 （Andrey Avinoff, 1844~1949）及第三章「翼」個錯誤─「動植物」科學插畫家科妮莉亞‧黑森-奧涅格 （Cornelia Hesse-Honegger, 1944~）：以兩位科學藝術家的生平簡介、創作歷程及創作表現技法作為研究主軸，將詮釋「動植物」超乎表相的深層意義，以及其所扮演角色的象徵性意涵。
三、研究成果之論述
第四章「自我創作的分析與闡述」：筆者依據前面幾章的研究心得，作自我創作的實驗，並就個人的繪畫創作理念、主題、內容與形式，逐一地介紹、分析。第五章「個人創作作品賞析」：在接受了艾維諾夫與科妮莉亞的繪畫創作之影響後，再以自我創作的《花中花，花中蛙》系列作品，圖文並茂式地加以詮釋，明示出筆者的自我創作表現手法、色彩運用及畫面架構。第六章「結論」：針對本次的研究心得，以及自我創作上的內省與期許，作一終結的評述。
關鍵辭：科學藝術家、動植物、象徵性。
The purpose of the discussion of the symbolic meaning and creative expression of animals and plants' images, is to explore the Western science artists’ painting techniques and artistic spirit in plants and animals Figure, as well as how scientists to master plants and animals’ form and spirit while they’re studying their form and habits. The researcher not only study these as a source of inspiration, but also convey an even greater study and training in operation, in order to find out the different creative spaces between flora and fauna paintings. This study contains six chapters, and its main points are as follows.
First, a basic discussion of the study：
Introduction： a brief introduction of the research motivation and the purpose, the methods, the scope and the structure in this study.
Second, the main content：
Chapter II, “Beauty” the pursuit of the essence of the art, the scientificartist “Animals and Plants" , Andrey Avinoff 〈Andrey Avinoff, 1844~1949〉; Chapter III “Wing” a mistake Animals and plant science illustrator Cornelia Hesse-Honegger〈Cornelia Hesse-
Honegger, 1944~〉These chapters focused on the scientific life of
the artist's creative process and creative performance techniques, to interpretation the deeper meaning of the Animals and Plants beyond appearances, and also the symbolic meaning of the character .
Third, the exposition of result of the research：
Chapter IV, “Analysis & elaboration of self-creation”： the researcher did self-created experiment according to the preceding
chapters,and introduced personal painting ideas, themes, content and form one by one. Chapter V “Appreciation of personal works ”： With the impact of Avinoff’s and Cornelia’s painting, the researcher reinterpreted the technique, the usage of color and screen architecture with the self-created series, “Flower in flower, frog inflower.”Chapter VI “Conclusion”：The comments of the knowledge gained in this research, and introspect, hope of self-creation.
Keyword：Scientific Artist, Animals and plants, Symbolic |
